A Korean animated film from the 1970s about a super robot utilizing the power of Taekwondo, Taekwon V was thought to be “lost” for many years, in the sense that no good copy of the film could be found. This all changed in 2007 when an excellent-quality print was discovered.
Though Korean in origin, Taekwon V is clearly based off of the Japanese Mazinger Z, a similarity that its creator Kim Cheong-gi acknowledges, stating that he wanted to create a Korean hero for Korean children and simply assuming that this was the way robots were supposed to look.
While the bad blood extends well past animation and into the irredeemable treatment the people of Korea faced at the hands of the Japanese occupation before and during World War II, in this narrow scope the issue has always been the idea that “Korea just copies Japanese animation.” My previous post about this topic generated quite a bit of controversy and discussion, so take a look if you feel so inclined. By the way, I still maintain my stance, even if the movie features animation ripped straight of Bambi.
This is why it’s all the more amazing that Taekwon V is actually getting shown in Japan, even if it’s at only a single theater. No doubt it’s going to generate more racial slurs on the internet, but in a way I feel like it’s a big step forward. Also, I don’t think anyone can really blame a 30+ year old cartoon from an era with an almost non-existent animation industry for having taken some shortcuts. Well actually, you can, but I think looking at it in terms of copying/not copying is only seeing one side of a much more complex shape. There’s plain old “making stuff people enjoy regardless of how it’s made,” also plain old “making profit,” and other aspects as well.
By the way, the movie will be in Korean with Japanese subtitles, so sorry English speakers living in Japan who might be able to actually see it.
Every so often, as I slowly swim through the vast expanses of anime and manga, I find characters who I think are just incredible. They’re not necessarily my absolute favorites, but they’re just such good characters that I hope that someone out there champions them the way I do with Ogiue. It’s not just about reveling in a favorite character, but feeling that the character is so well-developed and is portrayed so strongly that heaping praise upon them is the least you can do. I’m going to take this opportunity to list a few.
First is Koizumi Risa from Lovely Complex. In my review of the anime, I mentioned my hope someone out there considers her to be their favorite character. My statement still stands. Risa is an incredibly human character, a girl who isn’t exactly the best looking and who doesn’t possess the most attractive of personalities, but is so unique and full of energy and character that she stands out in more ways than just her height. Koizumi Risa is totally great and I hope you think so too. If you think her more attractive than what normally passes for attractive out there in anime land, then all the better.
Second is Adachi Hana from Yankee-kun to Megane-chan. On the surface she seems like any other glasses-wearing character, and that initial judgment certainly isn’t helped by the title of the manga itself, but almost immediately after you realize that Adachi Hana is a girl of comedic genius that few can live up to. Now the entire series itself is hilarious, but Adachi steals the show far more than anyone, and her blank, bespectacled stare the most killer punchline possible. But don’t think of her as a one-note gag. She’s a former delinquent who’s looking to turn her life around by acting the part of the responsible student in the hopes that she’ll actually become one. If you like Sakagami Tomoyo from Clannad but are looking for a more lighthearted character and story, then Adachi Hana might be right for you.
Third is Sumimura Toshimori from Kekkaishi. The youngest of the Sumimura siblings, with main character Yoshimori as the middle brother and redhat Masamori as the eldest, Toshimori has a long way to go before he can fight like the rest of his family. However, he’s in many ways the most responsible, and it’s especially refreshing to see a younger kid-type supporting character who is intelligent and capable and is able to remain primarily a side character. I look forward to where the story will take him, and how he will further distinguish himself from his brothers over time.
Last is perhaps the most deceptively awesome character of all. While Legend of the Galactic Heroes has the geniuses Yang Wen-Li and Reinhard Von Lohengramm at the forefront, Murai is almost equally deserving of praise, if not just as much. An officer in a galactic war, Murai doesn’t have matchlesss intellect, nor does he have youthful passion, and he isn’t even the most experienced veteran, but he makes up for it by being an incredibly good support person. Knowing how esoteric his leader Yang can be, Murai intentionally plays the straight man, asking the layman’s questions so that Yang can phrase his thoughts more clearly. He even makes a big move later on, but again masks it in simplicity. By being so lacking in immediate notoriety, Murai shows his true strengths.
Those are all the characters I’m listing for now. If you have characters who don’t rank in your top 10 but you think they deserve a place on someone’s, feel free to chime in.
Otakon is this weekend, and I am psyched. Not only that, but if you didn’t know before, I’m doing two panels this year. You’ll find both of them on the Otakon Schedule, but just to make sure, I’ll highlight them below.
Riichi: Japanese Mahjong, Anime, and You
Time: Friday, July 30 at 9:30am
Location: Panel 4 (Hilton Key 11-12)
If you’ve watched such popular anime as Akagi and Saki, you’ve been witness to the ancient game of mahjong– and you had no clue what the players were doing. Maybe you’ve even tried the game and found the complicated rules too intimidating. We did too! But we managed, and today we’re here to show you that it can be done. Let us enlighten you on the basics of Japanese style, or “riichi” mahjong, its appearances in anime and the entire genre of manga devoted to it, and how to play this fascinating game!
Portrait of a Fujoshi: The Psychology of Ogiue Chika Time: Friday, July 30 at 11:00pm Location: Panel 4 (Hilton Key 11-12)
Throughout the series “Genshiken,” the character of Ogiue Chika goes on a journey of development, tackling topics such as self-image, childhood trauma, and the many perils of being an otaku-in-denial. Come, if you want to really delve into the mind of Genshiken’s most psychologically complex character with a panel brought to you by the experts on angry fujoshi characters, Ogiue Maniax and Viga the Otagal!
Now I understand that the first panel is very early and the second panel is very late, but I think you’ll get a kick out of both, particularly if you are a fan of both Ogiue and mahjong (I’m sure there’s a lot of you out there).
I’ll also be running around with the above image around my neck. It’s a special badge for this year that I’ve put quite a bit of thought into. You might even be wondering, “Are those a random assortment of tiles below Ogiue to reference the mahjong side of things?” But they’re not.
The hand is a Hon Itsu, or Half Flush, signifying Ogiue’s self-image of “impurity.” It also contains bamboo tiles, as the Ogi in Ogiue means “reed,” with the added benefit of the 7 of bamboo resembling Ogiue’s paintbrush hairstyle. They’re all odd numbers because Ogiue herself is odd, and the east and north tiles are in reference to the fact that Ogiue is from “Tohoku,” the northeast region of Japan. Finally, the hand is also a Chii Toitsu, or Seven Pairs, because Ogiue is a fujoshi who likes to come up with pairings.
For those of you who’ve been watching the Pokemon anime for years now, you may recall the female character May (Japanese name Haruka), who was the main heroine for the entirety of the Game Boy Advance era of Pokemon games.
What you may not have noticed however is that her character design, well, changed throughout the course of the series. See if you can spot the difference below:
What in the world could be responsible for Haruka’s, shall we say, simplification? The easy knee-jerk reaction would be pressure from foreign countries to reduce the amount of eye candy in their internationally famous Japanese franchise cartoon, but something tells me that it has a little more to do with someone realizing that the girl is supposed to be ten years old.
When I think of western anime fanart, the first thing that pops into my mind is something I call the “Deviantart style.” Characters are usually drawn fairly realistically, their bodies becoming canvases for a psuedo-airbrushed look, every shadow and every highlight blended so softly that characters can probably be best described as “glowing.”
Now I am fully aware that Deviantart is home to an incredible variety of artists, and that even among the anime-style artists this is not anywhere close to the sole artistic style present. Nor am I even saying that this style is bad. However, as far as I can tell, this glowing style tends to be the most popular and ubiquitous, especially at anime conventions.
So my questions are: Why is this style so popular, and how did people learn it?
When I look at the most popular manga artists, none of them actually color their images in this manner, not Kishimoto (Naruto) nor Kubo (Bleach), and especially not Oda (One Piece). Branching out, I can only think of a handful of artists who get anywhere close to that Deviantart style, and most of them cut their teeth in the world of adult doujinshi, such as Satou (High School of the Dead), so their styles end up being closer to visual novel CG than anything else.
One major difference is that the aforementioned Shounen Jump artists all color using real tools, and when I think about it, the Deviantart style seems born out of an almost purely digital environment, where textures can be finely tuned to almost microscopic levels, and stroke lines can be edited down with the utmost precision. It is, perhaps, a style resulting from the ability to hit ctrl-z in Photoshop and Illustrator. Of course, I’m not saying that it’s an impossible thing to overcome, but that perhaps artists who have experience with traditional media may be better at transcending limitations and making that style their own.
When it comes to anime artwork among western fans, I feel like there is an obsession with “realism.” In OEL manga for instance, a great amount of attention is put on screentones for smooth shading and for perspective in building backgrounds. With fan artists, perhaps this manifests itself into a hyper-realism where vibrant gradients rule the land. Not to pick on him again or anything, but it feels like the “five-tone shading” concept taken to the extreme, where the number of tones approaches infinity and the whole thing turns into a calculus metaphor. In a way, it reminds me of superhero comics, where musculature is emphasized greatly because they similarly harken to reality through exaggeration.
The closest artist I can think of which combines all of these elements is probably Terasawa (Space Adventure Cobra), but I get the impression that not very many artists on Deviantart take their inspiration from Terasawa.
I’ve definitely heard about it, and I plan on reading it eventually, but as of this point I have never done more than glimpse a few pages. Regardless however, I know that Bryan Lee O’Malley has become a household name among geeks, and with the final volume of Scott Pilgrim out, he’s going to be well-remembered.
Imagine my surprise then when I discovered that the covers of Scott Pilgrim are not the first place I had seen Mr. O’Malley’s name.
Years ago I enjoyed reading the stories over at Improfanfic, a site dedicated to both fanfics and original stories with an anime flair. Each chapter of a story was written by a different person, providing the “improvisation” in the site’s name. Of these improfanfics, my favorite was probably Furniture Warriors, a parody of shounen fighting tournaments and the like where all of the characters wielded chairs and tables with deadly precision. Feeling nostalgic, I decided to look at the page for Furniture Warriors at Improfanfic, where in the middle of the fanart section one name in particular caught my eye.
Could it be the same person? Could the “Bryan O’Malley” who drew these images and wrote various chapters of Improfanfic be the same Canadian whose work has had the honor of being adapted into a feature-length film?
All signs point to “yes.”
Bryan has mentioned at conventions that he is inspired by anime. Not only that, but if you look at the fanart there and compare it to the artwork in Scott Pilgrim, even though there is a markable difference in style, skill, and experience, I think you can definitely see small inklings of what the man would become.
Not only that, but going to the archive.org record of the website listed with his name and e-mail address on the FW page, it says:
In real life, incidentally, they call him Bryan L. O’Malley. And the L, of course, stands for Lunacy. He happens to be the only Canadian member of Maison Otaku.
So there you have it.
Keep in mind that my reason behind this post was not to show off my internet detective skills or anything, but to simply be amazed that the person whose artwork I saw way back would become responsible for such a phenomenon. It makes the world feel so much smaller, and yet also so much grander.
Over the past few episodes, big things have happened in Heartcatch Precure. During this time, the show has made some references to past Pretty Cure series, and here’s a couple I’ve spotted.
Again, this is towards the end of the first half of the series, so there are spoiler-worthy things happening. I’d highly recommend you go watch the show before you read any further.
In episode 21, new fairy mascot creature Potpourri asks a number of characters if they could be the third Cure to go alongside Blossom and Marine, with one of the candidates being female soccer player Sayaka. When Sayaka mentions that her only skill is soccer, Potpourri assures her that in the past there have been Precure who were also good at soccer.
This refers to Natsuki Rin, aka Cure Rouge, the third in a line of Cures who are good at Sports (Cure Black = Lacrosse, Cure Bloom = Softball).
The bigger event of course is when Myoudouin Itsuki transforms into Cure Sunshine. Unlike Blossom and Marine who use “Heart Perfumes,” Sunshine uses a “Shiny Perfume.”
This is in reference to the character Kujou Hikari, aka Shiny Luminous, who was first introduced in Futari wa Pretty Cure Max Heart.
Further supporting this is the fact that the powers of Cure Sunshine are mainly defensive in nature, which was also the role Shiny Luminous provided to the original Pretty Cure girls.
However, the big difference here is that while Luminous never shed her protective role on the team, Itsuki comes into the team as the only trained martial artist to become a Cure, which means she balances her barriers with actual physical combat experience.
So that was just a small observation. If you’ve made it this far, congratulations on watching an excellent show and may I hope to see you once the series is over.
OGIUE MANIAX 