After the whirlwind that was July, I’m genuinely glad that things are slowing down for me. That said, I’ll be writing and posting my review of Otakon 2023 (as well as three guest interviews), so while I physically won’t be doing a lot, I’m still gonna have to hunker down and do some serious blogging.
Hopefully, you’ll all enjoy what I have to offer.
Thanks to all my Patreon subscribers. I hope you’re doing okay in this weather.
I stopped putting my little messages at the end of my posts asking people to check out my Patreon, thinking that it was probably annoying people more than anything. Would readers mind if I included it again?
July is a packed month. Not only do I have Otakon at the end of the year, but I’m also in LA this weekend for Anime Expo and to see today the first HololiveEN live concert, Connect the World! Back when tickets became available, I almost missed them entirely, but I got lucky that there was some available after the initial prerelease sale. I fully intend on writing a review of the experience.
I won’t be lying when I say that I’m nervous about attending large events after just getting over COVID a month ago, but I will be masked as much as humanly possible for my sake and others’. I hope everyone else treats others attending these big gatherings with respect and compassion.
Thank you to my Patreon subscribers at the start of this summer season!
I got to conduct an extensive interview with a 20-year veteran of the industry. Tabata goes into detail and working with the late, great Kimura Takahiro.
Anime Expo and Connect the World has many powerful individuals I’m interested in, but Otakon has Iwao Junko: the voice of Tomoyo from Cardcaptor Sakura. Here’s to hoping I can get an interview with her! It would be a dream come true.
So it finally happened: I got my first case of COVID-19. I’ve been isolating, but I’ve also finally started testing negative, so I think I’m over the hump.
I already announced it on Twittter, but anyone who attended Anime Central 2023 should probably get themselves tested if they haven’t already. While I was masked for pretty much the entire time, I most likely had COVID-19 during the entire event, and it’’s better to be safe than sorry when it comes to the coronavirus.
While it might be too late for anyone who’s first reading about my COVID-19 case here, I still wanted to talk about it in this status update for a couple reasons. First, well, this is technically the “status of Ogiue Maniax.” Second, many people are afraid to admit they got COVID, worried that they might be looked upon negatively if they say anything, or feel a sense of guilt about how they put themselves and/or others in danger. But I think the more we publicly talk about it, the more we can reduce the stigma without downplaying the ongoing severity of the pandemic (it’s not just “the flu.”)
Thank you to my Patreon subscribers, who allow me to continue to indulge in this hobby of mine:
While Anime Central wasn’t ideal due to my condition, I did manage to conduct some interviews, and I think they all turned out well. Expect to start seeing them soon!
I find myself in a constant state of worry that I’m not doing enough with anime and manga. It’s not like I’m avoiding it entirely, but I think my very focused consumption of it has receded slightly both in an attempt to do things I’ve never tried before and to make up for time lost in other categories.
There’s an entire Breathof the Wild sequel coming out this month, and I’ve only just gotten the glider in the first game! I want to build my language skills in Japanese as well as in others. I worry about being the person chasing two rabbits, but at the same time am perpetually unable to pursue just one without regretting losing the other.
In the meantime, shout-outs to my Patreon subscribers, including a new supporter among the Sue Hopkins fans.
I’m actually going to Anime Central this month for the first time! I’m hoping to get to see Kubo Yurika (aka the voice of Hanayo).
And you probably have heard about this, but the Writers Guild of America has gone on strike to protest unfair wages from streaming and the threat of companies potentially trying to use AI to hamstring writers. Funnily enough, the last time a writers strike started was on November 5, 2007—the same month as the birth of Ogiue Maniax.
April is cherry blossoms in Japan, and their fleeting nature is associated with an aesthetic valuing of the ephemeral in Japanese culture. I normally don’t get all poetic about it, but recent events have me reminiscing and feeling the passage of time. One month after the death of Matsumoto Leiji, one of my favorite character designers, Kimura Takahiro, passed away. Ash Ketchum is being retired as the lead of the Pokemon after two decades. Not one but two VTubers are graduating: Heavenly King Mirai Akari and Pikamee Amano, one of the lights of the early COVID pandemic. And just today we learned that Sakamoto Ryuichi of Yellow Magic Orchestra passed on the 28th of March—the second member to go this year after Takahashi Yukihiro.
The end of last month hit with some tough news as the world learned that Matsumoto Leiji had passed away at the age of 85. I’m still thinking about what an end of an era that is, and I’ve been spending time with his works. In addition to finally watching more Space Battleship Yamato 2202, I decided to revisit my favorite anime of all time, 1979’s Galaxy Express 999. It’s as gorgeous as the day I first saw it.
February has arrived, and that means new Precure, of course. It’s this odd exception in that February debuts have been typical of the franchise, so I have it on my mind—especially because it’s the 20th anniversary [I’ve been informed that Precure is actually only 19, so oops.]. I still remember seeing the original Futari wa Pretty Cure being mentioned in an English-language anime magazine, and noticing the large combat boots and floppy socks they wore. It’s been a part of my fandom for two decades now, and while I don’t have plans to write a retrospective, I wonder if I should. At the very least, expect a review of Delicious Party Precure.
Moving on from a two-decade-old magical girl juggernaut, I’d like to thank my Patreon subscribers!
Many VTubers have extremely busy designs, but one notable exception comes from a surprising source: a Japanese beverage company.
Kio Shimoku
Kio actually retweeted one of my posts this month!!!
Closing
I learned along with everyone else that Love Live! School Idol Festival is shutting down to make way for the sequel game. Given this information, it’s all too perfect that I finally managed to achieve my goal. Will I play the new game? I really don’t know—it depends on how much time I have and what the gameplay looks like.
Yesterday, I watched the Hololive COUNTDOWN LIVE 2022▷2023. It involved 3D concert performances by a variety of members including two of my faves, the currently COVID-stricken Haachama and the on-hiatus La+ Darknesss. I highly recommend it, especially the crossover sections between the girls of Hololive and the boys of Holostars. This clearly takes some inspiration from Japan’s long-standing end-of-year musical event, Kohaku Uta Gassen, but I’ve never actually watched it.
Looking back, it didn’t hit me how long the past year felt until I saw Kio Shimoku mention that Hashikko Ensemble concluded back in January of 2022. At times, it’s like the days move by all too quickly, and other times, it’s like they slow to a crawl. I can’t tell at this point how much of it is the prolonged funk of the pandemic and how much is just me getting older.
But here we are at the start of 2023 and the Year of the Rabbit, at least if we’re going by the solar calendar. Whenever I think about it, I find myself remembering a certain old flash video from the 2000s. Thankfully, someone uploaded it to Youtube, so I can inflict it on a new generation.
January’s Patreon subscribers are looking good. Thank you, everyone, and here’s to another fine (?) year.
This is partly an analysis of how different fans have different expectations for their VTuber faves, and partly an excuse to post more videos of La+ Darkness’s amazing dancing skills.
At the start of the year, I feel myself wondering if I should be doing more both with Ogiue Maniax and outside of it. One thing I’ve thought about is starting a Substack, but I have no idea how I might divide my writing. In my head, there’s no real differentiation between “regular” posts and “premium” ones, and I’d probably have to figure out some way to make it worthwhile. One possibility is to break off the VTuber stuff into its own dedicated area in case it’s becoming too intrusive, but I don’t think it’s that bad currently.
I could also do premium posts on Patreon, but that sort of runs into the same issue. If anyone wants to see that sort of content (or if you even hate the idea), feel free to leave a comment. I think I care less about the money at this point and wonder more about how to promote Ogiue Maniax in 2023. All the old ways seem to be vanishing (and Twitter is constantly on the verge of collapse because of its moronic new boss), and I still haven’t caught up.
Whichever ways things go, though, I hope you’ll keep reading.
I’m riding high off of three things: recent elections defied expectations, the VTubers of holoX have just been celebrating their one-year anniversaries, and it’s been 15 years of Ogiue Maniax! It’s hard to believe each one for somewhat different reasons, but I’m hoping I can carry this joyous monentum through this month and into the eventual new year.
Here are my Patreon subscribers for December 2022! Thank you to everyone.
I reviewed a lesser-known 1970s giant robot anime, now available via Discotek.
Kio Shimoku
If there’s anything to take away from this month’s tweets, it’s that Kio Shimoku loves Royal Space Force: The Wings of Honneamise.
Apartment 507
Looking at Akiba Maid War through the lens of 1999 Akihabara.
Closing
As with every year, I’m going to be rating the anime characters I think are the best of 2022. It is unbelievable how tough this year’s field is. I feel like the top candidates would have won in virtual every other year had they been eligible.
I still remember writing this blog’s tenth anniversary post, and how it felt like such a milestone. Now we’re actually half a decade past that?! It makes me realize that Ogiue Maniax is theoretically supposed to be leaving its chuunibyou phase, but will that ever actually happen? I mean, it’s still a primarily text-based anime blog in the year 2022.
While I don’t want to focus on the short-term too much for a celebration of 15 years, I have to acknowledge that this comes at a time when Twitter is on fire due to the unfathomable competence of one jackass of a billionaire. The reason this resonates with me is that I actually spent the last anniversary post waxing nostalgic on the Something Awful Forums after the death of its founder! And here we are again with another major platform exploding. To go from Lowtax dying to the unfunniest man on Twitter setting $44 billion on fire feels like every year from this point will end up with some piece of the older internet being met with tragedy. What’s next, 4chan’s servers getting eaten by raccoons?
15 years also just makes me feel my age. There are anime fans establishing their tastes and their influences who are as old as Ogiue Maniax (though I get the feeling none of them are reading this blog). I’ve proven the site to possess the magical recipe of longevity known as stubbornness, as even the Patreon is less about making a profit and more about providing a way for the blog to pay for itself. If there’s a way to make big cash-money off it, I don’t have the energy or time to figure that out anymore.
I do worry that as my responsibilities grow elsewhere, I might not be able to keep writing as freely as I do. At the very least, though, there’s a good chance I can outlast the bird app. In the meantime, I’m still loving anime and manga, and I hope my passion for it never fades.
OGIUE MANIAX 