Humicane from Rotten Boy: Genshiken II, Chapter 89

As Yoshitake pressures Yajima into potentially revealing that she has feelings for Hato, Kuchiki sees a distraught Hato committing the worst crime of ComiFes: not enjoying himself. In a rare moment of clarity and benevolence (albeit still horribly awkward), Kuchiki teaches Hato that worrying what other people think about you goes against the otaku way. Hato, who suspects that his interest in Madarame may be a matter of him being interested in Madarame in particular and not guys in general, suggests that he hook up with Angela (who is of course likely eager to do so).

This month’s Genshiken II, titled “Festival Evol,” is a reference to the anime Aquarion Evol, which is appropriate in a number of ways. First, Aquarion Evol is the next generation of characters after the original Genesis of Aquarion, which is similar to Nidaime. Second, in the final episode of Aquarion Evol (SPOILERS), the titular robot turns into “Aquarion LOVE,” which is of course one of the themes of Chapter 89. You could maybe read something into the separation between boys and girls in that series too, but that might be going too far. The next chapter preview quote is also from another robot anime, Chousoku Henkei Gyrozetter, so it’s a good month for mecha references.

I find this chapter to somehow be incredibly straightforward but also quite complicated in terms of its developments, so I’m not entirely sure how to approach it. I guess the first thing I’ll say is that, I do know from personal experience that sometimes you think you like someone more than you actually do. I’ve had cases where I was interested in girls, and when they got significant others, my feelings were not jealousy or regret or forlorn heartbreak, but simply satisfaction and relief. In those cases, “what could have been” doesn’t really enter the equation, a personal realization that my own feelings weren’t that strong after all. Is this the case with Hato and his feelings towards Madarame? Something tells me “no,” if only because it only seems to be deflecting or delaying the problems surrounding him. I’m not sure if the BL genre’s classic “I don’t like men, I just like you!” line really works in “reality,” nor the reality Genshiken wishes to depict.

More generally, not understanding one’s own feelings is a recurring element of the otaku subculture, especially when it comes to human interaction. Not to fall into the stereotype of otaku and fujoshi having no social skills or sex, but it’s clear from previous chapters that their experiences with romance have been limited or marred with awkwardness. It only makes sense that not only Hato but Yajima seems to be either consciously or unconsciously denying something, even if it doesn’t necessarily go as far as sexual attraction. I find it both interesting and relevant to this chapter that both Hato and Yajima are the types to restrain themselves to a certain degree even when among their comrades.

The highlight of this chapter may be the fact that this is the first time we’ve seen Kuchiki successfully do something admirable. He’s tried in the past before, like when trying to stop the cosplay thief at the club recruitment fair, but that led to such disaster that it’s one of the first things mentioned in Genshiken II. While Kuchiki is obnoxious and doesn’t understand social problems, he does bring up the relevant point that Hato’s interests in and of themselves do not cause trouble for anyone, nor should they. It makes me think about the other classic annoying character of Genshiken who hasn’t appeared in forever, Haraguchi, and how different the two are. Unlike Haraguchi, Kuchiki is selfish and rude but too honest to be manipulative.

As for the possibility of Angela being Madarame’s first time, I actually really want it to happen now. I don’t particularly care if Madarame and Angela become a “thing,” and of course there’s the long-distance component in all that, but there’s something about Angela just getting the job done that I find potentially hilarious. Genshiken has never been big on valuing female virginity, going all the way back to Saki discussing her sex life with the club members, or the fact that Ogiue is at this point very much not one, but somehow Madarame the virgin is the bigger deal. Losing it in a brief fling where both parties are aware of the lack of classic romance as well as the time limitations would be appropriate and a subtle defiance of the “nerd guy gets the hot girl!” trope, without necessarily being sad, even if Madarame is portrayed as somewhat of a romantic at heart.

This month’s Genshiken also came with an extra comic by another artist, about one of the Genshiken Nidaime anime voice dubbing sessions. As previously discussed, the new anime has an entirely new voice cast, and it’s a lot about the director (who has worked on the previous Genshiken anime) instructing them on the nuances of the characters. Naturally, they don’t reference the previous actors, as that would compromise the legitimacy of the current cast. Probably the most interesting tidbit is at the end, when it turns out that a lot of the female voice actors are themselves fans of Genshiken, and were all asking Kio Shimoku for his autograph. Kio is reportedly a very private individual, which actually just makes me think of him as Madarame, secretly attractive.

Genshiken Nidaime First Trailer

The new Genshiken has its first trailer, a 30-second clip. It’s just a voiceover with Yoshitake, Yajima, and Hato, as well as a small bit of Ogiue, but there are some things I observed in the trailer.

The main thing I noticed is that the new Ogiue voice, Yamamoto Nozomi, sounds similar to the previous actor Mizuhashi Kaori, though not Mizuhashi’s performance of Ogiue. Mizuhashi is quite varied (Ogiue doesn’t resemble Miyako in Hidamari Sketch), and Yamamoto’s performance sounds a bit closer to some of Mizuhashi’s other roles, such as Rosetta in Kaleidostar or Mami in Madoka Magica. So it’s sort of a match, but sort of not.

The other notable thing, I think, is that they didn’t give Yajima a “fat” voice. A lot of times, heavyset characters in anime have a deeper, rounder voice to emphasize their weight, but Yajima’s voice sounds more normal. It doesn’t quite have the coarseness I was expecting, but it’s still good to see it not fall into that old stereotype.

Genshiken Nidaime starts July 6th. I still haven’t decided if I’ll episode-blog it or not, especially because that eats up a whole bunch of my post slots (even if it would make for easy content). The other issue of course is that I’ve already done chapter reviews of the source material, and I worry that it’d be quite redundant. That said, maybe I can use it as a way to revisit those previous chapters.

What do you think? Are the chapter reviews already more than enough?

The Fujoshi Files 75: Ameya Yuiko

Name: Ameya, Yuiko (飴谷結子)
Alias: Yui (ユイ)
Relationship Status: Dating
Origin: Fujoshi Kanojo.

Information:
Ameya Yuiko is an older woman dating a younger college student named Mutou Taiga. Ameya enjoys teasing him on a regular basis by showing him yaoi and referring to him as “Sebastian” (Sebas) while having him make tea. Preferring uke characters, she sees Mutou as one as well. Ameya works as an Office Lady, a job where she must frequently fend off the advances of her boss.

Ameya has a close circle of fujoshi friends, including Masana and Sachi, as well as Seto Akari. She is particularly fond of the shounen series Sepatte Takuro, about the Malaysian sport of Sepak Takraw.

Fujoshi Level:
Once, when Yuiko was ill, she tried to convince her boyfriend read BL to her as if it were a bedtime story.

Inhuman Fujoshi Comedy: f ningyo

It’s taken a while for Japanese publishers to get anywhere close to the idea of free online manga, but we’re finally getting somewhere. There’s Grand Jump (from Shueisha, the same publisher as Shounen Jump), which releases a few of their titles online every month for a limited time, and the decently popular Onepunch Man comes from another Shueisha site, Tonari no Young Jump. Now, while One Punch man gets all of the attention, I do want to point to a different title on there I enjoy, the 4-koma manga  f ningyo, by G3 Ida.

It’s a comedy about a fujoshi mermaid.

More specifically, it’s about a mermaid named Mero whose only conception of the human world comes from yaoi manga, so to her the surface is just teeming with guy on guy action. She’s discovered by a marine biologist named Tsubsa Reiji who’s far more interested in fish than women, and in order to keep this research a secret he tells everyone that she’s his girlfriend (her fins turn to feet when away from water for prolonged periods). The two other recurring characters are the scientist’s student, and his childhood friend, whom the mermaid sees as the scientist’s lover and a fellow fujoshi, respectively. Given the white lies and misconceptions on their parts, the foundation of the series’ humor comes from everybody misunderstanding each others’ words and intentions, sort of like Minami-ke. When she first introduces herself to Reiji, Mero tells him that she’s clearly not human because she has no balls.

fningyo-magazines-cropped

Even though the fujoshi-based humor is funny, two of my favorite jokes from the manga don’t even really have to do with that angle. The first is when Reiji’s friend, who has a crush on him, is extremely suspicious of his claims that the beautiful girl in his office is his girlfriend and decides to test him. She shows him a porn magazine, zero response. Then she follows up with a magazine about aquatic life and he immediately perks up.

fningyo-squid-cropped

The second is when they’re all out at a festival, and the mermaid gets the chance to eat some fried squid. Being from the sea, she remarks that she’s only ever eaten raw squid before (which she would literally catch and bite into live), but the friend misinterprets her words as those of an incredibly well-to-do woman of luxury, i.e. “I only ever eat squid sashimi.”

Unfortunately, I think this manga has a lot less chance of being released in English like One Punch Man has been. That said, it is the second most popular manga on Tonari no Young Jump, so maybe there’s hope after all.

The Fujoshi Files 74: Sachi

Name: Sachi (早智)
Alias: Sacchin (さっちん)
Relationship Status: Married
Origin: Fujoshi Kanojo.

Information:
A blogger and housewife, Sachi is fortunate to have a husband who is accepting of her hobby. Called Sacchin by her friends Yuiko and Masana, she is a hardcore seiyuu otaku who tries to buy everything voice actor-related that she possibly can. Sachi has the ability to recognize any voice actor in any role, and is particularly fond of the seiyuu Kubokouji Akira.

Fujoshi Level:
Sacchin listens to BL drama CD’s while doing the dishes and the laundry, even when her husband is around.

Watashi Rashiku: Genshiken II, Chapter 88

Genshiken II, Chapter 88 is Winter ComiFes! As always, the Comic Festival chapters are among the best or most interesting in Genshiken.

It’s Day 1 of ComiFes and Angela Burton the Athletic Bostonian has come back to Japan. Though she’s decided to tone it down she still ends up stirring the pot, especially by noticing that something funny’s going on with Madarame and Sue. During the event, as the others move about, Ogiue and Yabusaki sell the doujinshi they’ve been working on. They even manage to completely exhaust their 1000-book supply, which is a first for them. Hato, who is abstaining from BL, tries to act like a normal otaku and even perv out like a normal otaku, but it just doesn’t work for him, and he ends up not enjoying what is normally a highlight of his life. The chapter ends at the start of Day 2. Yajima plans to buy a yaoi doujinshi for Hato, which may be hinting at some more romantic feelings.

This chapter of Genshiken had the same energy as the old ComiFes chapters, and especially compared to the last one doesn’t have quite so much overt drama. Not that it doesn’t have any drama, of course, but it’s a little more low-key, and you can really feel the hustle and bustle of a event as huge and as crazy as not-Comiket (because it’s a fictional world, remember). At least, that’s how it is for Day 1. Who knows what Days 2 and 3 will bring?

I couldn’t recognize either cosplay this time around, but thankfully there’s at least one blogger who knows his stuff: The first cosplay (pictured above) is from a new series called Shuushokunan Zombie Tori Girl (“Employment Scarcity Zombie-Catching Girl”), and the other is from Hi Score Girl, which if I recall, won some kind of award recently? In any case, I want to check out both manga now. The image of a blue collar worker using a combination fishing pole and net is quite striking.

Just in general, I thought the fashion in this chapter was really nice. Clothing-wise, the two characters who stand out to me the most this chapter are Yoshitake and Angela, for different reasons. For Yoshitake, it’s because of the way she’s able to at times look like the coolest girl around and at other times like the biggest dork in history (or “history dork in history”), when probably both are true. For Angela, I feel like Kio expresses her character through her clothing especially well. Even when trying to hold herself back (another “be yourself, or not” moment?), she still exudes a confidence in herself, her body, and her actions that’s hard to find in even someone like Saki. I’d like to point out that she’s wearing shorts in the middle of winter, when Comic Market is known for sometimes for being blisteringly cold.

I actually like Angela more and more every time she shows up, possibly because of the way that she shakes up the current situation of the club no matter what it might be. Her attitude towards just about everything is a far cry from everyone else, best exemplified when she suspects there being a thing between Madarame and Sue. Angela has some romantic and physical interest in Madarame, and to see her react not with jealousy or anger but with the same excitement she displays when talking about her favorite character types really cuts through the more conventional sense of relationships you see elsewhere.

Ogiue gets a good amount of focus this time around because of the fact that she’s selling her collaborative doujinshi with Yabusaki. If you’re not sure why the two of them are freaking out from the get-go, it’s because they’ve been put in a spot that’s usually reserved for the most popular and highest-selling doujinshi circles. Their table is against the wall, and at a doujin event, the groups whose products will create the most traffic are put against the wall in order to reduce traffic congestion. Ogiue says it’s mainly because the title they chose to parody this time is extremely popular, and that it wasn’t all under their own power, but I think selling out of 1000 copies is amazing no matter the circumstances.

While I of coursed loved seeing Ogiue back when she was struggling with herself, it also brings me joy to see Ogiue this happy. Though she’s hardly what you’d call totally uninhibited now, it’s clear how much more relaxed and comfortable she is now, especially when her nervousness this time around has more to do with feeling like a little fish in a big pond, and not anger at herself. The pinnacle of this can be seen in the very last panel of the chapter, where she’s in the classic doujinshi-buying frenzy. The panel even references the line that something is opening up at the top of her head, the thing that happened to Sasahara at his first ComiFes. The last time we saw Ogiue do this, she was disguised and frustrated about having to disguise herself, but now Ogiue isn’t holding herself back, or trying to disguise herself, or anything. It’s Ogiue, who has allowed herself to be herself. I don’t think I’ve ever seen Ogiue with such a look of confidence and authority before.

Even her interactions with Yabusaki show this, and it’s possible to see how far their friendship has come from what was once a decidedly antagonistic relationship. Speaking of Yabusaki, or rather Asada, it’s interesting to see how a once-extremely minor character has been developed to the point that you can really get a sense of her friendship with Yabusaki, and how the two get along with each other. What once appeared to be Yabusaki as boisterous leader and Asada as quiet tag-along is actually more complex.

By the way, I think it’s telling that Nakajima did not show up, despite Ogiue being so much easier to find this time around.

“Being yourself,” as cliche as it sounds, seems to be the theme of this chapter, especially when taking into account Hato’s own situation. On this first day of ComiFes, the day with generally the most female-oriented and yaoi content, Hato decides that he will not buy any BL. The line towards the end of the chapter says it all, though. On Day 2, Hato has a revelation: “Everyone seems to be enjoying ComiFes, but I haven’t been enjoying it at all.”

In forcing himself to do the “right thing,” Hato suffers. ComiFes is supposed to be the space where otaku can let their otakudom loose, but he’s restrainined himself. Hato’s attempt to be a “normal” otaku brings up an important question: if you’re not having fun as an otaku, why are you trying to be one in the first place? Whether we’re using the older definition of otaku as a pathetic person lost in the delusion of his hobbies, or the more charitable one that emerged later on to just refer to someone passionate about his fandom, “otaku” is not something that’s supposed to cause you anguish because you can’t fulfill the proper behavior in being one. If anything, it’s traditionally the opposite such as with Ogiue.

Anyway, with everything happening, I am certainly looking forward to next month. Last time, I asked about the possibility of Sue x Hato. What about Hato x Yajima? I’m not one to pair couples typically, but there’s something about having the guy better looking than the girl which can create interesting stories and dynamics, particularly in terms of the issue of confidence.

The Fujoshi Files 73: Seto Akari

Name: Seto, Akari (瀬戸灯里)
Alias: Kaworu (カヲル)
Relationship Status: Single
Origin: Fujoshi Kanojo.

Information:
Seto Akari is a teenage cosplayer under the name “Kaworu.” While she works to keep her hobbies a secret from her family, she makes far less effort to hide it from her brother Kouji, who is nonchalant and oblivious enough not to really care or mind. Akari is friends with a number of fellow fujoshi, namely office lady Ameya Yuiko, and is a fan of the series Sepak Takraw-themed manga Sepatte Takurou, preferring to cosplay even the main character from it. Akari’s palms are exactly six inches, which she can use to accurately measure materials while making costumes. In terms of preferences, she enjoys not just BL but bishoujo as well.

Fujoshi Level:
Akari is into cosplay more than yaoi, but is more than willing to pair her own brother up with his friends.

The Fujoshi Files 72: Shigeta Mina

Name: Shigeta, Mina (重田三奈)
Alias: N/A
Relationship Status: N/A
Origin: Genshiken: The Society for the Study of Modern Visual Culture

Information:
Shigeta Mina is a former classmate of Ogiue Chika’s from their middle school days in Yamagata Prefecture in Tohoku. She was a member of the same Literature Club as Ogiue and Nakajima Yuuko, where they collaborated to create BL stories, though her friendship with Ogiue apparently soured after the incident with Ogiue’s then-boyfriend discovering the extremely graphic yaoi doujinshi they made of him.

Shigeta is still close friends with Nakajima, eveident from the fact that the two regularly attend Comic Festival together. Shigeta appears more quiet and relaxed than the more talkative Nakajima, which also appears to have been in the case in their younger days.

Fujoshi Level:
Other than the fact that Shigeta used to collaborate in the Literature Club’s BL works and that she has remained a yaoi fan, nothing else is known about the extent of her fujoshi fandom.

Genshiken Nidaime Voice Cast…and a NEW OGIUE?!

UPDATE: Small point made below.

genshikennidaime-image

Ever since the announcement of the new Genshiken anime, I’ve speculated about the voice cast. Courtesy of one Anonymous Spore and the official anime website, the new cast for the Genshiken Nidaime (or Genshiken II as I prefer to call it) has been revealed, and the big, big shocker is that Mizuhashi Kaori will no longer be playing Ogiue, that most grand of angry, once-traumatized hair-brushed fujoshi.

My initial reaction has been genuine surprise and confusion, as I thought she fit the role tremendously well, and seemed to be well-established as Ogiue. Her Ogiue felt genuinely conflicted about everything, and it’s my favorite role of hers (biased perhaps). She even participated in the Genchoken radio shows with Madarame’s voice actor Hiyama Nobuyuki, and drew a comic about how she landed the role as Ogiue. Even putting aside my own Ogiue fandom I’ve thought for a long time that Mizuhashi ranks among the best voice actors out there.

ogiue-newvoice

That said, I think it would be a bit unfair to judge Yamamoto Nozomi before I even get to hear her voice the part of my favorite character. She’s pretty new, but she’s also already played roles such as Yukimura in Boku wa Tomodachi ga Sukunai, and Tetora in Joshiraku. When I think about Tetora’s voice in particular, it may actually be a bit closer to how I imagined Ogiue’s voice in my mind when I first read the manga. Actually, Gankyou’s voice would have been even closer, but that’s maybe getting too off-topic.

As for the rest of the cast, you have Uesaka Sumire  (Dekomori in Chuunibyou demo Koi ga Shitai!) as Yoshitake Rika in addition to performing the opening theme, Uchiyama Yumi as Yajima Mirei (Davi in Dokidoki! Precure, Arata in Saki: Episode of Side A), and a combination of Kakuma Ai and Yamamoto Kazutomi handling the female and male voices of Hato Kenjirou, respectively. If you look at their list of works, all of them are pretty new voice actors, so perhaps there was something on the production side that required the use of newer voices. I read that they may be changing the old characters as well? Or maybe there was just a good old-fashioned scheduling conflict, which even happened with the Genshiken 2 anime and Keiko’s voice actor. In the end, it’s all just speculation, unless someone more familiar with the seiyuu scene could inform me otherwise.

Based on the previous roles of the actors for Yoshitake and Yajima, I can imagine them fitting their roles well, especially if they go for more naturalistic and awkward voices. I think Yajima especially will be a challenge.

In addition, voices aside, the art and character designs look probably the nicest they’ve ever been for Genshiken anime. I guess it all remains to be seen (and heard).

miz84-1 miz84-2

UPDATE: I decided to look at Mizuhashi Kaori’s official site, which isn’t really updated anymore, and what’s really curious is the fact that where once the front page image was of Ogiue in an empty cardboard box, now Ogiue has been replaced by a different character. I’m unsure if it’s meant to be Mizuhashi specifically or if it’s meant to be another one of the characters she played, but just the fact that she used to use an Ogiue image on her front page as early as September 2012 may indicate that she was rather close to the character of Ogiue.

The Fujoshi Files 71: Nakajima Yuuko

Name: Nakajima, Yuuko (中島裕子)
Alias: N/A
Relationship Status: N/A
Origin: Genshiken: The Society for the Study of Modern Visual Culture II

Information:
Nakajima Yuuko is a fujoshi from Yamagata Prefecture in the Tohoku region of Japan. An old classmate of Ogiue Chika’s from their middle school days, the two would collaborate on their own amateur BL manga along with the rest of their school’s “Literature Club” with Nakajima as one of the writers. However, the two had a falling out when their last collaboration, an extremely graphic depiction of Ogiue’s secret boyfriend Makita with his own best friend, became known to Makita, which caused Makita to transfer schools. Though there is no direct evidence, it is likely that Nakajima and her friends are the ones who showed it to Makita in the first place, being aware of what was actually going on between Ogiue and him.

In the present, Nakajima still lives in Tohoku, and remains friends with at least one of the girls from her middle school days, Shigeta Mina. Though Nakajima is very stylish and fashionable, her regular trips to Comic Festival indicate that she is still very much into yaoi. In addition, her current feelings about Ogiue are not entirely clear, as she exhibits signs of jealousy and resentment towards her, and seemingly revels in reminding Ogiue (and Ogiue’s friends) of her past, but at the same time also appears to show a certain degree of concern for her.

Fujoshi Level:
There are no clear details about Nakajima’s fujocity other than that she has some experience writing BL stories, and that she is at least to some extent still a fan of yaoi.