Oh my god, I was wrong, it was “anime” all along

For almost as long as I’ve been playing video games, I have held the Megaman franchise on a pedestal atop a pillar atop a tower with seemingly never-ending steps winding towards the top. Even when it was clear the series had begun to lose steam and ideas were being rehashed, I was still all for it because it meant more Robot Masters. As a kid and even today I love the concept of bosses in video games, these greater menaces that the player needs to overcome in order to gain safe passage to the next part of the game, and Megaman was king of this. Hearing news that Megaman 9 would be out this Monday, the 22nd of September, I took it upon myself to celebrate in a number of ways. I downloaded Megaman 2 on the virtual console today and beat it within a few hours. I also began to make sprites out of the many, many robot master designs I had thought up as a child, one of the first being the one you saw above, the creatively named “Garbageman.”

The hideousness of the Western Megaman art boxes has become relatively common knowledge by this point. Capcom even decided to parody it by making Megaman 9 box art resemble these fiascos. As a kid, I always thought something wasn’t quite right with the Megaman 2 cover, where a macho-looking guy in blue holding a futuristic pistol stands prominently. I knew this wasn’t what we were expected to see when we saw Megaman’s wide-eyed sprite blink and run and die over and over. Years later, I obtained Megaman 8 for the Sega Saturn, and watched the intro sequence involving Megaman fighting select robots from each of the seven previous Megaman games in full animation. It was at that moment that the intended “style” of the Megaman series hit me: “Megaman is anime!” The big eyes, the round faces, the colors, this all came from an anime style. I had gotten into anime in a big way around the time I first started playing Megaman 8, and I was fascinated by the designs, especially of the Robot Masters. Megaman looked like Megaman, but sleek and streamlined without having those features be too prominent a la Battle Network franchise (though I have nothing against that series or its designs). I even started to look for the existence of an actual Megaman anime, thinking the intro couldn’t possibly be the only thing.

Being wowed by fully animated introductions was not new to me even at that point, as years earlier I told my friend to play the intro to Sonic CD on his Sega CD over and over, but Megaman 8 came out at just the right time. Technology in games was steadily improving, allowing games to look more like anime than ever (Guardian Heroes to name one). I was in high school at the time, and thus was big into anime, though definitely not as much as now, and actively sought out things related to anime. And of course it was Megaman, a character whose games I grew up loving. So it was with Megaman that I began to realize just how much companies tried to cover their Japanese origins.

I’m pretty sure that I knew the fact that video game companies in the 80s and 90s didn’t want Americans to know of their Japanese origins, but it was with Megaman though that I investigated this anew. I took a lookat the NES Bionic Commando, and the full body image of (MUTEKI NO) Spencer they’d use at the end of levels, and realized that it definitely had some anime influence to it. I opened up an old issue of Nintendo Power and saw a title, Clash at Demonhead. At the beginning of the section was a large, colored image displaying a blond guy in armor and weapons done in a very cartoony style. Near it however was screenshots from the game’s intro, with character designs reminiscent of late-80s, early 90s anime such as Mikimoto or Takahashi’s stuff. And there were not one, but two Golgo 13 games, though I don’t think the steps taken to cover up Golgo’s origins were too extensive.

I find it amazing how much FULLY ANIMATED INTRO SEQUENCE FOR VIDEO GAMES were able to influence me and many others. Seeing the intro for the Sega Saturn Magic Knights Rayearth game in a store, I cared little for what the actual game was like. It was these intros that gave an air of legitimacy to games, and also provide plenty of fodder for fanfiction, which they most definitely did. These intros, prior to having games simply look that good all the time, provided enough of an inspiration to construct and elaborate everything necessary for creative endeavors.

If you look at the Megaman 9 official art though, the designs in even the official art have gone all the way back to 2, with a chubbier Megaman at the helm. So maybe Megaman 8 was a bit of a lie after all. Perhaps Megaman was anime all along, just not to that extent.

(Dr. Wily Dr. Wily! Dr. Wily Dr. Wily! Dr. Wily Dr. Wily, ohhhh Dr. Wily!)

The Right Way to Do “VS” Arguments

Who would win in a fight, Kenshiro or Golgo 13?

Lina Inverse or KOS-MOS?

Toilet Paper or a Snickers Bar?

I love this sort of argument generally, but it’s generally considered in very poor taste by large parts of fandoms, tired of seeing them. It is considered a useless endeavor, be it in the “unstoppable force vs immovable object” sense, or just being futile and biased based on favoritism by the people arguing. , but there is a wrong way to do it, as stated, and there is a right way to do it, which begins with realizing its uselessness is not a problem at all.

At the end of the first Phoenix Wright game, and this is the point where those of you who haven’t played should turn back in case you don’t want to get spoiled, the message given is that in a court of law the prosecution and defense aren’t working against each other but with each other to arrive at the truth. This is what you should be doing with VS arguments, except that there’s clearly no actual truth. You may want to reach for it, but the goal is not to grind the other person underneath your forum avatar’s heel. The real goal instead is to build upon each other’s arguments and logic and to challenge each other’s opinions in order to promote critical thinking, even if it’s all in jest.

There’s never really a loser in VS arguments, and that’s the fun of it. Work on opposite sides, but work together, just as Phoenix and Edgeworth* do.

*Substitute their Japanese names if you so feel inclined.

Enjadening

At some point, it seem likes most anime reviewers begin to lose passion for their work, provided they had any in the first place. Though we may say something along the lines of, “Why do it in the first place if you no longer like it,” they say that one of the reasons they lose that passion is because they are constantly forced to wade through shows they dislike. They cannot choose the anime they review, and so with every disappointing show they become more and more bitter towards anime. That ocean that once seemed so wide turns out to be polluted.

At least, that’s what I think might be happening.

Aside from a few exceptions, I haven’t really tried to talk about anime on here that don’t really interest me. I mean, it’s difficult to talk about things you find boring, right? And anime reviewers have to do it, be it hell or high school romantic comedy.

In that case, what if I did start reviewing things outside of my interests?

I don’t know if I’ll actually do this. While I have a strong love of anime and manga, to put it to the test like this may be asking too much of me. If I go in, I may come out a different person. I’d like to think there’s interesting lessons to be learned in any anime, good, bad, or decidedly mediocre, but how many will it take before I break, if I do at all?

Most likely, if I do decide to begin this self-experiment, I won’t say specifically which reviews are part of it. That would be up to the readers to determine.

The Most Difficult Question

“What anime/manga would you recommend?”

At some point this went from being a fairly simple question to being an incredibly complex one that leaves me puzzled for long periods of time. As I absorbed more and more shows and comics into my being, as I began to expose myself to more and more types of fans and non-fans, the number of variables just kept increasing.

How long has this person been watching anime, if at all? What titles do I think are good? Out of those, which do I think the person asking me would like? What non-anime genres is he or she already into? How open is he or she to new genres? Different visual styles? How familiar is the person with digital downloads, bittorent, etc?

I know in a previous post that I recommended Slayers, but that is more of a generalist approach. The difficulty arises when I try to tailor my response to that individual. Everyone is unique, and I can’t rely on my own taste to sell a show to another.

An equally difficult question is “Which shows do you like?”

How familiar is this person with anime? If I say a title, will they understand what it is? How open are they to explanation?

And it’s not like I’ll lie or anything. I just prefer to pick an answer that will most accurately describe what I like in anime as efficiently as possible to the person in particular who’s askng.

Or I can just say “Rose of Versailles” and see what happens.

The Stigma of Giant Robots

First, no Kaze no Stigma jokes.

Okay? Okay.

Mecha is one of the main stereotypes of japanese animation, along with martial arts, sci-fi, and not being for kids. But despite being one of the first things many people think of when they see the word “anime” it somehow has gotten a negative reputation among many fans in the United States. People will turn away from a title if giant robots are involved, and the only Gundam series to ever truly be successful is Wing.

I have no issue with people not preferring giant robot anime, but what is bothering me is the idea that robots, be they real or super, are an automatic red flag for a lot of anime viewers.

What happened? I know that the large female otaku population tends not to be fond of titanium titans, but why do so many guys also brush these titles aside? Could it be that giant robots are no longer considered a staple of anime, that in the eyes of this newer generation of anime fandom it is something to be ignored? Are there certain tropes of robot animation, different from say, shounen fighting, which detracts from the viewing experience?

This is one of those posts About Me, so don’t read it

In the “About” section of Ogiue Maniax, I state that I “want to have a strong sense of its lifespan, to appreciate its history both in the context of the work itself as well as its influence in society throughout the world.” I think this accurately portrays my stance towards anime and other topics which I choose not to discuss on this blog, but I often wonder what made me the anime fan I am today. While a lot of it has to do with the shows I’ve watched and the fellow fans that I’ve known, that’s more of a “how” and not a “why.”

In a recent conversation with my mother, she told me that I was extremely inquisitive. I would always be asking, “Why?” Not to the extent that I’d be accompanied by a dog named Buttons perhaps, but she said that there were times when she would get fed up by my insistence on asking questions. A typical conversation would go something like:

Mom: Play with this toy. It’s fun.
Me: Why is it fun?

I remember a large amount of my childhood, but I don’t remember being so eager to learn why things are the way they are. I do remember that in high school, when a friend of mine would say he thought something sucked, I would get kind of agitated because he couldn’t back it up with why he thought it sucked. I thought this was something I developed around junior high, but apparently I was wrong.

So it might be the inevitable conclusion that I ended up interested in all those things “beyond” anime and manga: the history surrounding it all, the interaction of fans and creators, the way anime and manga differ from other forms of entertainment, not just on a qualitative level but emotional and societal levels as well.

I mean, this is probably why I devoted so many posts to discussing WHY I like Ogiue.

The Otaku Exercise Regimen?

I might not have any sort of specific numbers or charts or data, but I’m pretty sure I wouldn’t be off when I say the vast majority of otaku are out-of-shape, yours truly included. Whether we’re malnourished and underweight or heavy eaters with huge guts, exercise is not exactly a part of the standard image of the otaku, or the geek, or anything of that sort.

What if there was an exercise regimen geared towards otaku? Maybe something one can do while watching anime, finding healthy foods to eat based on anime dishes, back-strengthening exercises to prevent the pull of heavy bookbags, that sort of thing. I know it sounds like a complete gimmick, and that it might as well be one because in the end exercise boils down to hard work and diligence, something that shounen manga is eager to teach us again and again.

If I had to guess as to why so many otaku are sacks of flab, it’s because we grow up with this mentality of brains vs brawn, that the two have difficulty existing with one another, that one is the opposite of the other. If we can first shed this misconceived notion, I think we’d be on our way.

Like I said earlier though, I’m hardly a prime physical speciment, but there is one piece of advice I can give that I know is 100% guaranteed to help otaku.

Stop drinking so much goddamn soda.

Oh, and watch out for my Otakon 2008 report tomorrow.

The Beginner’s Anime

If people ask me what they should show to others to introduce them to anime, Slayers is usually one of my first recommendations. It was one of the first anime I was proud to own, albeit in bootleg VHS fansub form. It was Slayers, specifically Slayers Gorgeous, that I believe got me into anime fandom in a major way. Sure, I loved Voltron as a kid, and I got into Dragon Ball Z as early as 4th or 5th grade, but it was Slayers that told me that Anime is Different when I walked into my high school’s anime club. Slayers was the type of thing you could show to a large crowd and get them all into the moment no matter how much anime they’d watched, which has made me always think of Slayers as a  good Beginner’s Anime. I’m sure you can think of plenty of other titles, like Cowboy Bebop, Robotech, or Naruto.

Actually, I don’t even know if anyone else besides me uses the term “Beginner’s Anime.” Pushing aside that fact, as well as the fact that people are different from one another and that there is clearly no universally acceptable standard for introducing anime to others, the term “Beginner’s Anime” implies that there are anime out there which may be too much for initial viewers, that there is a sort of conditioning or familiarizing that must occur before a fledgling anime fan can be introduced to the Good Stuff, distributed by some shady-looking guys in trenchcoats (hands up, you know who you are) in dark areas. Is it the way stories are structured? Is it the cultural differences and symbolism, the most prominent and perhaps infamous examples being the sweatdrop and the nosebleed? Is it a matter of attention span? This could go on forever and I doubt there’s an answer.

When I examine myself, I am not the anime fan I used to be. Sure, there’s a lot of factors both inside and outside the realm of anime which have influenced me and my watching habits, not least of which are the increase in availability of anime itself and the fact that I’ve simply gotten older, but I have to wonder what could have been. What about the time period I was in? I mean, the president of the anime club at the time was so proud of owning all of Cowboy Bebop that he could not wait to show it to us. It was the very beginning of the digisub age, when Napster was picking up steam and of course buying bootleg vhs fansubs was still a viable process. What about the fact that this was an anime club, a relatively social experience? Anime clubs are a dying breed today, and having a good social experience through anime may become less and less of a requirement. I even remember that when I took over this anime club a year later after the previous president had graduated, I noticed a sudden increase in the number of girls in the anime club. And then I tried to show them Serial Experiments Lain. As it  turns out, Lain is not a very good Beginner’s Anime, at least not as a social experience.

It’d be all too easy to say that every anime is a potential Beginner’s Anime. I mean, there’s a grain of truth to it all, but that sort of open-ended statement reduces the significance of all of the factors  outside of the anime-fan-to-be and the anime being watched. There are clearly some titles that succeed more than others at bringing in new fans, and I think it deserves research.

You’ll probably be seeing this topic again.

What if there was a Hot Dog Manga?

I went to Coney Island yesterday and helped myself to some Nathan’s Hot Dogs, the world famous ones you can get at any franchise but they are especially special at Coney Island.

Yakitate Japan, Addicted to Curry, La Sommeliere, there’s all this food-themed manga in existence, so what if someone decided to aestheticize and romanticize the world of hot dogs? And I don’t mean hot dog eating, as that’d be way too easy.

Imagine a scene where a character is explaining the source from which one person made his hot dogs, and in the background as he’s explaining it you see giant vats of pureed meat and meat by-products churning around. The background itself would have bold speed lines to show the power with which the hot dog mix is being churned. It would all look beautiful.

…Maybe this would work better if it was about sausage, as it would put the creation of the actual sausages into the hands of the characters. Maybe in that case one of the battles would involve hot dogs.

(And every year all participants would put all their dreams into winning the Sausage Fest).

Fan-generated Fiction as some call it

I recently listened to the Ninja Consultant podcast concerning the sexualization that occurs among fangirls, and the fact that this has become more prominent in recent times, with not only yaoi becoming a common sight at conventions but also modern works such as Dr. Who and Avatar: The Last Airbender being consciously aware of this fanbase. The topic of fanfiction comes up in the discussion, which is to be expected given that fanfiction and fangirls practically go hand in hand, but it reminded me of the fact that at the beginning of my own internet-based fandom I too was into fanfiction.

When I first began using the internet, my first fandom was a NiGHTS into dreams fanfiction site. I loved the Sega Saturn game to death (and still do), and I sought out other fans of NiGHTS. It was there that I found a site called “Nightopia on the Net” which would later change its name a few more times. It was here that I not only discovered other people with a passion for NiGHTS, but also stories that expanded upon the few plot details we were given as players of the game into a rich and vibrant (at least in my young eyes) universe. I’ve never read the Star Wars Extended Universe books, but I suspect the feeling was similar to anyone who is a fan of those, a feeling that the world given to us in these initial stories is so vast and unexplored that one can’t help but wonder what else is out there.

At some point, a few years down the line, I read fanfiction less and less. By this point I had been checking out fanfiction from various sources based on all sorts of series and would even actively seek out more unusual titles and concepts. Something in me began to sour, and I could no longer take fanfiction until I almost stopped reading it entirely. Back then, my reasoning was that I disliked the stories being produced for my fandoms, feeling that more than any sort of technical errors the problem was that the writers did not understand the characters. The characters’ actual personalities as displayed in their respective shows were nothing like the personalities displayed in fanfiction, and I asked (no one), “What’s the point of using these characters if you’re not going to actually use them?”

As mentioned in the Ninja Consultant discussion, it seems as if some works these days are simply there as fan fodder. Characters are given basic traits which appeal to the “shipping” side of fandom, and fans are free to ignore or cultivate any “evidence” as to whether or not their “One True Pair” could thrive. Setting aside any original creators’ desires to actively engage this line of thought, by all rights these are the people who are responsible for me leaving fanfiction in the first place.

But really was I, and am I, all that different?

Why do people enjoy pairing unreasonable characters together? To put it simply, it’s because they find the pairing to be hot. No big mysteries there. It’s what makes the Zutara pairing in Avatar so popular: a conflict of emotions, the fire/water dynamic, the idea that “if only they would get together, they would be great.” Of course, the conflict comes from actually getting them together.

Is there something wrong with this? Wanting to dive deeper into a world, to prove through fanfiction that there is so much more to a story, one can say that trying to find deeper subtext in the relationships presented is its own form of exploration. Hell, I can somewhat relate to making unreasonable pairings. I have a rather straight-laced friend who I would like to see date girls that would be all over him 24/7. Why? Because it would entertain me to no end.

Perhaps there is a threshold, and it is crossed when fans begin to believe that their opinions constitute the truth about a work, or even what should be true. This isn’t about creator’s vision vs spectator’s vision or anything of that sort, but rather to what extent people and groups begin to believe their own hype. Other than that, I think people are free to believe in whatever they want.

Even then, such a statement borders on the idea that there’s such a thing as a “right” fan and a “wrong” fan, and really, even if I find certain fans or their reasoning distasteful, I am just one person and I am not a judge of fanfiction. More importantly, I am not a judge of the heart.

After all, as Sasahara once said to Ogiue, no one can stop you from liking something.