Category Archives: thought exercise

Whiplashing It: Iron Man 2 Thoughts

Posted on by

I watched Iron Man 2, and just to put down a quick review, it was very entertaining and a worthy sequel, though not as good as the first and the action scenes tended towards the disorienting. What I really want to talk about though is the film’s villain , Ivan Vanko.

Iron Man suffers somewhat from a lack of really memorable supervillains, with few outside of the fanbase even knowing who the Mandarin is, let alone someone like the “Iron Monger” or “Whiplash,” the official name for Ivan (though it’s never mentioned in the film). Strictly speaking, there is no “Ivan Vanko” in the original comics, and is instead an amalgam of two existing Iron Man supervillains, Whiplash and the Soviet-themed Crimson Dynamo.

What an intriguing idea! If your villains aren’t that interesting, try to take elements from at least two, and try to create a more developed character out of it. I feel like it could go a long way.

So then I think, what if we applied this to film adaptations of anime? Let’s just say, HYPOTHETICALLY SPEAKING, that there was some kind of Dragon Ball “film,” if you will. While there are plenty of strong, iconic adversaries Goku and friends have had to face over the course of their tale, I just have to wonder about the possibilities of “Whiplashing” it.

Merge the Saibamen with the Little Cells to have an ultimate team of deadly jobbers.

Incorporate elements of Android No.19 into Tullece and have a guy who looks like Goku because he is a robot.

Better yet, mix Zarbon and Bacterion into a handsome, self-centered alien whose true form is ugly and also smells.

The possibilities are endless

Good Ol’ Rock Fighter, Nuthin’ Beats That!

Posted on by

I was thinking about my early experiences with the Super Robot Wars series when I remembered the first SRW game I bought, Super Robot Wars R for the Game Boy Advance. The animations at this point were still very much “paper cutouts sliding against a background,” but I was stoked whenever I could land a finishing move on a boss, especially one of the crossover attacks. However, I think what characterized my play experience for R more than anything else was the fact that I could not read Japanese too well at the time, and so for the first 70% of the game I did not realize that your units had the option to “defend” or to “dodge,” rather than just trading hits with the enemy.

I think it’s very possible that if that game were more difficult, I would have gotten fed up with it a lot more quickly, trying to wonder how I could overcome those seemingly insurmountable odds. Perhaps ignorance was bliss for just the right amount of time.

More Shows Should Be Like Heartcatch Precure

Posted on by

While I’ve made it fairly clear before that I think very highly of Heartcatch Precure, I realize that I have yet to actually made a post about why I think the show is so good. Today, I will correct that.

From the vibrant and colorful character designs and setting to the energy of the series to the quality of the dialogue, Heartcatch Precure has a lot going for it. But what I think is most remarkable about it is how surprisingly mature the show can be while also still being very much for children.

Since the first Pretty Cure, the central protagonists have always operated on a theme of opposites. One is smart, the other is strong. One is talented in the arts, the other is talented in sports. As the series grew to encompass larger casts, the idea of having the characters be distinctly unique in this manner grew as well, but it’s with Heartcatch Precure that characterization has hit its highest point in the franchise.

When I watched the first episode, the first thing that really caught my attention (aside from the lively animation of the opening) was the interaction between the main characters, Hanasaki Tsubomi (“Cure Blossom”) and Kurumi Erika (“Cure Marine”). Tsubomi is a transfer student, eager to defy her previous reputation as a wallflower. What she doesn’t expect however is for the seat next to her to be occupied by Erika, a fashionable girl who sometimes has trouble with the idea of “personal space.” Erika is well-meaning and is looking to make a new friend, but her aggressive, extroverted personality is too much for the introverted Tsubomi, creating a tension between the two which is only later resolved when they learn more about each other and their own fears and doubts. Tsubomi learns to be a little more confident and out-going from Erika, and Erika is in turn influenced by Tsubomi’s patience and kindness.

In case it wasn’t obvious that Heartcatch Precure is a kids’ show, the Monster of the Week format makes it very clear. Not only is there a Character of the Week that appears and needs helping out, but they are usually transformed into the Monster of the Week as well. The gimmick is that in their monstrous form, the character expresses his or her deepest negative emotions, such as the fears and doubts in their lives. Kids’ shows really don’t operate on subtlety, and the very fact that the show just tells you exactly what is wrong with the character is the very opposite of subtle, but when I take into account the fears themselves I can’t help but be impressed at the level of maturity. Anger at being told that your dream is impossible, frustration at having to grow up too quickly because of a death or illness in the family, depression at letting others down when they need you most, the series does not shy away from presenting some very serious topics. Heck, the very fact that one of the show’s main focuses is the way these negative emotions can exist in a very real way inside all people is in itself surprisingly adult.

When I look at Heartcatch Precure, I see a heart and soul behind the series. Yes, it is still a part of a merciless merchandising machine of a franchise. However,  I can see in the show that the creators desired to make a show for children that tells them, “Someone out there understands your frustration,” and helps them grow in the process. It’s something I can really get behind.

The Society for the Study of Ogiue Dialogue

Posted on by

Today, I want to try something out with anyone who reads this post and has read the official English-translated Genshiken manga from Del Rey. It’s a simple question whose answer from a great many I would like to see.

What do you think of the way Ogiue talks in the English version of the manga?

I don’t want to reveal the entirety of my intentions quite yet (though they may be somewhat obvious), but do know that I plan on doing a follow-up post once I have gathered responses.

Wait, Where Am I?

Posted on by

The other day a startling realization hit me.

While I’m still watching anime as I always do, my intake of older and classic anime has been on the wane as of late. When I look at the shows I’m currently watching, Heartcatch Precure, Durarara!, Giant Killing, among others, they’re largely new-fangled series. This solution is as simple as watching older series, but my concern lies more in the possibility that I was getting caught in the seasonal trap without realizing it, that I was starting to get new-series tunnel vision. While I think it’s important to watch what’s new, I don’t want my perspective too shaped by simply what is there “now.”

I also realized easy it is for anyone to get caught in the seasonal trap if you’re an internet-based anime fan. Its ease of access is like a warm embrace and it’s all too simple to just let it happen.

Though actually, I have been getting my “classic content” through manga. I’m on an early shoujo kick, picking up volumes of Attack No.1, reading Swan, getting all of Rose of Versailles, but seemingly at the expense of reading newer titles. It’s like with anime I’ve planted myself with the present, and with manga I’m entrenched in the past. It’s not quite what I’d call a “routine,” but before I knew it these had become my fandom habits.

I’m perfectly aware that there’s nothing really “wrong” with the way I’m doing things, but it’s still something I’d like to change before I get too comfortable with it. After all,  “Running water never grows stale.”

I’d Kill Kill Kill Kill Kill For That Ability

Posted on by

Heiwajima Shizuo of Durarara! is a man of many traits. He’s a berserker. He’s a man who wants to be a pacifist but can’t seem to get it down. There’s one quality in particular that I want to focus on however, and that is how unusually perceptive Shizuo can be.

All of us to some extent set up walls and barriers in our lives. Sometimes they’re to keep people out, other times we reinforce them and build upon them and even decorate them to the extent that we expect others to see us as these walls. But Shizuo’s personality is such that he sees the “truth” more readily, as if his senses are more animal than human. Wall-building is not a trait he’s familiar with, so he ignores it entirely. He’s naturally attuned to human nature, even if he isn’t aware of it.

Shizuo’s perceptiveness reminded me of  another show I’d been watching alongside DRRR! last season, Kimi ni Todoke. In it are two characters who could best be described as “simple-minded,” but it’s that simple-mindedness that allows them to sense deception or the absence of true honesty, much like Shizuo.

The first is Chizuru, the tomboyish friend of the main character Sawako.

The second is Pin, the loud-mouthed, belligerent teacher.

In both cases, you can see how much finely-tuned their instincts are to seeing past the elaborately constructed walls of human life when they interact with the character Kurumi. Kurumi is seen as beautiful and sweet, but her looks hide a manipulative personality. When Kurumi tries to turn on the charm with both Chizu and Pin, they can’t help but feel that something is amiss, even if they can’t pinpoint it. They can see the walls for what they are.

Personally speaking, I really wish I had a trait like this. Or maybe I do, and I don’t realize it. Or maybe I don’t, and I’m just kidding myself.

I Have the Answer. What’s the Solution?

Posted on by

Do we really know why anything is popular?

Whenever an anime or manga is super popular, be it with “casual” fans or super hardcore 4channers or die-hard bloggers or anywhere in between, someone eventually decides to ask, “Why is this popular?” The question can be interpreted positively, encouraging people to express why they like that work so much. It can also be interpreted negatively, giving way to sweeping generalizations that categorize a work’s fans in a particularly unattractive light.

As a quick demonstration: Why is Baka to Test to Shoukanjuu so popular?

We can posit why Gundam isn’t popular “here,” or why Captain Tsubasa is popular “there,” but after a while I just have to wonder how often we’re putting the cart before the horse, completely blinded by hindsight and trying to draw conclusions from something most people might have trouble expressing in the first place, even if you asked every Naruto fan why they like Naruto so much. And in a way, when we accumulate more knowledge and experience in anime, we paradoxically move both closer and further away from the truth.

Not saying I don’t enjoy the speculation, nor am I telling people to stop, but popularity (or lack thereof) can be such a difficult entity to grasp and manipulate that I’m sure we’re all wrong more often than not.

Also, I know this doesn’t just apply to anime or manga or even fiction. Asking why stuff is successfully popular is applicable to just about any topic where  group enjoys or uses something.

No, really, why is  Baka Test so popular? I liked it well enough because of the way it embraced the otaku/moe/anime humor and really ran it to some logical extremes, but why is it considered the #1 light novel series of 2009?

So Then Maybe Sesshoumaru is Darkseid?

Posted on by

Warning: Inuyasha Spoilers

Despite the fact that Inuyasha: The Final Chapter ended recently, I have not seen very many people talking about it. I know that can’t possibly be the trend across anime fandom as a whole, though. It’s Inuyasha after all, the show so popular it all but defined Adult Swim anime alongside Cowboy Bebop.

I already know about the ending from having read the manga, but remembering just how long and encompassing Inuyasha is, and how much detail that is ideal for a fan-made Wikipedia about the subject exists, I took a look over at the Inuyasha Wiki, reading up on what swords Sesshoumaru uses, what the heck people’s attacks are, as well as the character who deservedly has one of the longest and most complicated entries on the Wiki, Naraku.

As I read Naraku’s entry, his description started to remind me of another famous villain. He’s powered by negativity. His power is seemingly infinite. He increases his power and transforms thoughout the series. He has a vast army of demons under his control which he can absorb in order to regenerate and heal (which the heroes manage to turn against him). At the very end, in a desperate situation, he switches to a strategy of pure revenge and destruction, abandoning his tendency towards elaborate scheming.

Naraku is like the manga equivalent of DC Comics’ Anti-Monitor.

The End of the Otaku Diaries, the Beginning of More?

Posted on by

In their concluding post of the Otaku Diaries, Hisui and Narutaki of the Reverse Thieves reflect back on their experiment: the ups, the downs, what could have been done differently, what they learned, and what they’d hope to learn in the future should they take up the task again. I hope to see them take a swing at it at least one more time, but that’s up to them.

One of the really remarkable things about the Otaku Diaries was that it was a concerted effort by the Reverse Thieves to learn about their fellow fans, and to do so by collecting information in a structured manner. With anime blogging (or hell, writing blogging in general), it’s very easy to play fast and loose with facts and data, and to write based primarily on feel (I am guilty of doing both), so it gives me a degree of joy to see bloggers who actually want to discover more about their peers instead of pigeon-holing them in stereotypes or talking in too-broad strokes. The project wasn’t perfect, as they’d themselved admit, but it opened up new possibilities.

Obviously I’m not telling people they can only write about anime and fandom once they’ve gathered enough information on the subject, but I’d like to see others encouraged to try similar endeavors, to really reach out and try to learn about your comrades-in-arms. I could stand to do more of that myself.

On a final note, I think they’re onto something with the idea of interviewing people over Skype instead of simply writing surveys. Provided they can make the conversation easy-going (and I know they can), it would allow a lot more otaku to open up, and would also make the conversation more free-flowing.

Worth Thousands Upon Thousands of Words

Posted on by


This picture is here for a reason.

The Aniblog Tourney has me looking at a whole lot more blogs than I normally do, and as I check out one after the other, I’ve noticed a recurring blogging style that many sites follow, and I would like to figure out where it came from.


I also have no recollection where this image is from.

The style is defined by its frequent back-and-forth switches between between text and anime-related images. Sometimes it involves screenshots, but more often the pictures are high-resolution fanart with some kind of humorous caption underneath.  At their most extreme, images and text will alternate at a frequency of one image per paragraph.


Like so.

Now it’s easy to point fingers at “episodic blogs,” but that’s a little different from what I’m talking about, as a glut of screenshots is practically par for the course for an episode review. Also, many times they’re placed at the beginning, with a summary and then opinions following. This 1:1 paragraph to text ratio seems far more common with editorial-style anime blogs.

So I’d like to know, where did this style come from? Using the Aniblog Tourney itself, I checked out the highest-seeded blogs in the tournament to see if it was their far-reaching influence which provided younger bloggers with a stylistic framework, but in all of the cases the connection would be tenuous at best.

I might be thinking about this too hard. Maybe the desire to alternate paragraphs with images at a constant rate goes beyond simply anime blogging to the fact that there exists a space between every paragraph, literary voids which beckon to gain prominence by having art emerge from them. Or maybe it’s that people take screenshots and download fanart in batches first, and then look for ways to apply all of the images to an existing post. I’ve felt that desire myself, as it becomes hard to decide which images to cut from a post, a decision almost as difficult as having to cut out extraneous paragraphs that kill the flow of a post.

Speaking of which, the reason why I don’t really throw in a large amount of images into my posts is because an excess of images has the potential to be detrimental to the writing itself, interrupting the flow of a post as much as a superfluous paragraph, if not moreso. Not to say that it’s impossible to write well with constantly alternating paragraphs and images, but you risk cutting off your writing at the knees just as it’s starting to go into a full sprint.

So if you’re a fan of the aforementioned style of blog-posting, tell me, where did you find your inspiration, if any at all? If you really enjoy those types of posts, what in particular do you like about them?