Preparing for Anime Con NL 2012

I’m going to be heading to the Dutch con known simply as  “Anime Con” next weekend (May 18-20). Located in the city of Almelo near the German border, I attended for the first time last year, though this time I’ll be attending for more than one day.

Of particular interest at this convention is their musical guest, m.o.v.e., known for their Initial D themes, manga scholar Helen McCarthy, and the famous (actually I believe most famous) Dutch comics artist, Martin Lodewijk.

If you’re in the area but haven’t decided to attend yet, do note that the hotel rooms are all booked, but that you can still get a discount if you register by the 17th.

Gender IS Performative in “They Were 11!”

Recently, I finished reading Hagio Moto’s shoujo science fiction classic, They Were 11! Focused around a group of eleven individuals trapped on a spaceship, the manga was adapted into an animated movie, which is probably how most people are familiar with the title. However, in addition to the story covered in the film, They Were 11! also had a sequel titled They Were 11! Continues, as well as a handful of short gag comics. Altogether, the manga creates a more thorough and often lighter view of the world portrayed in the story, especially when factoring in the younger-looking character designs of the manga in comparison to the anime.

The character who catches my attention the most, which I assume is the case for just about everyone else who’s read or seen They Were 11!, is Frol, the sexless love interest of the protagonist. On Frol’s home planet, people remain neither male or female until they reach adulthood, when they must choose what to become. Given that men enjoy more privileges there, Frol wishes to be a male, though looks quite feminine in contrast. At the end of the original story, Frol falls in love with the main character Tada and decides to someday become female so that they can marry.

There’s a famous phrase coined by feminist philosopher Judith Butler, which is that “gender is performative.” In other words, things we associate with a certain gender are not as natural and set in stone as we think, and are instead reinforced constantly by society in such a way that, at all times, we are in a sense acting out our genders. To kind of simplify it down, consider the phrase “be a man” and how it implies a certain set of behavior involving courage and sacrifice. What I find really interesting about Frol’s whole situation is that without a definitive sex, Frol has no natural, biological basis for acting out her (I’ll be using “her” as a pronoun for the sake of convenience) gender. For Frol, gender is, above all else, performative.

In the first story, when Frol still desires to be a man, she consistently goes out of her way to assert her masculinity, mostly in comparison to the somewhat wiry Tada. Frol continually points out that she is taller, her limbs are longer, she knows how to fight better, is tougher, and so on. In the second story and in the Space Street gag comics, however, when Frol has decided that she will become a woman (though it hasn’t actually happened yet), she acts how she thinks a woman should act, being more emotionally open to Tada, behaving like a teenager in love. Because it wasn’t so long ago that Frol was presenting herself as a man, it’s clear that this is all conscious on her part, a point reinforced by the way she deals with her jealousy. In They Were 11! Continues, when Frol sees a bunch of girls flirting with her now-partner Tada, her reaction is to once again become a man herself, and to “beat” Tada at what she perceives to be his own game by becoming a suave guy who gets all of the ladies herself. In the end, Tada did still love her and it was all a misunderstanding, but it’s also clear that Frol’s decision to fight fire with fire is facilitated by her very own sexless existence.

Frol: “I’ve had enough! I won’t become a girl!”

There are somewhat similar characters in anime and manga, notably Ranma from Ranma 1/2 and Sapphire from Princess Knight, but in both cases their sexes are decided by forces beyond their control and they must deal with acting like men when they’re women and vice versa. Frol’s situation is different. For Frol, the only reason why she decided to become a woman and to start behaving “like a woman” was because of her love of Tada. When she felt that this was no longer the case, she had the power to do the very opposite, and when it was resolved she was able to switch right back. In this sense, Frol and the freedom she has to decide her sex and gender on her own terms represent the very fluidity of gender as a concept.

Gratis! Free Comic Book Day, Netherlands Edition

This past weekend was yet another Free Comic Book Day for the United States, but as it turns out, it was also the first ever Free Comic Book Day for Netherlands and its neighboring country of Belgium (don’t know about Luxembourg). FCBD has been a tradition for my friends and I back in the US for many years now, but sadly I was unable to join in on the fun in 2011 on account of living overseas, so I was glad to see the concept reach all the way over here.

Unlike the complicated Manhattan crawl I’m accustomed to where we’d hit every comic store around, the city I’m living in only has two comic shops so it was a far simpler affair. What I found particularly interesting, though, was the selection of free comics. I typically think of the FCBD giveaways as being a mix of superheroes, some humorous Archie-esque comics, a couple of more experimental works, and then a smattering of manga offerings, and this year appeared to be no exception. In contrast, the comparatively small selection of comics for the Dutch/Belgian FCBD primarily involved European comics, with The Walking Dead being the only American comic as far as I can tell. Of particular note is the Dutch Storm, and the variety of lively artwork in Het beste van Oogachtend FCBD (a compilation of various artists’ work) probably makes it my favorite overall.

Sadly I can’t really read Dutch so I can’t actually tell you how these comics are, but they’re quite pleasant as souvenirs regardless. For those of you familiar with Dutch comics, I currently have as my distant, distant goal for Dutch literacy volumes of Agent 327 and Suske & Wiske, as well as a Dutch-translated issue of Yoko Tsuno. Some day…

The Fujoshi Files 42: Alexia Cole

Name: Cole, Alexia (アレクシア・コール)
Alias:
Alisa (アリサ)
Relationship Status:
Single
Origin:
Kiddy Girl-and

Information:
Alexia Cole, better known as Alisa, is a receptionist for the Galactic Trade Organization alongside her friend and colleague Belle. Often spending her free time at work at the Touch & Go Cafe, she gets along with the two maids there, Ascoeur and Q-Feuille, as well as its owner Mi Nourose. Possessing a large bust and a cheerful demeanor, Alisa is in fact the descendant of Liquide Cole, a receptionist for the predecessor of the GTO, and also the daughter of the powerful Cole Zaibatsu.

As a fujoshi, Alisa’s room is adorned with yaoi posters, and on her days off she visits “Say You Cafe: Beyond Loads,” a cafe which doubles as a training ground for male voice actors. Alisa writes BL stories for the purpose of having the voice actors-in-training perform them. Her favorite actor there is “Top.”

Fujoshi Level:
In addition to her custom scripts, Alisa does not keep her love of yaoi entirely restricted to her personal life, storing a giant stash of BL manga behind the reception desk at work.

Aniblog Tourney II Quick Guide

If you’re coming from the Aniblog Tourney, welcome. I’ll make this short and sweet.

This blog’s been running for a while now and has what could be considered a rather daunting archive, so I’ve picked out some of my better posts. I encourage you to take a look. Don’t forget to check out the blog that’s going up against me as well, and remember that voting is open to both new and long-time readers of Ogiue Maniax.

Round 5 Opponent: Metanorn (June 25th)

Round 4 Opponent: Sekijitsu (June 20th)

Round 3 Opponents: Atarashii Prelude, Bokutachi no Blog, Loli Salad (June 6th)

Round 2 Opponent: Shonen Beam (May 4th)

Round 1 Opponent: BYE

Long Posts

Explaining Decompression in Comics

The Divide of Time, Space, and Imagination: A Look At the Concept of Nostalgic Merchandise

Seeing the Darkness of Madoka Magica

Short Posts

Understanding the “Emotionless” Anime Girl

Drossel, the Best Figma

More Powerful than Aizen and Freeza Put Together

Dumb Posts

Another Legend is Born

Testing Out Comipo!

What is Kuronuma Sawako’s Favorite American Football Team?

Reviews

You’re Magical: Ojamajo Doremi

Moe Anime Girl Gets Pregnant, Has Baby – Jigopuri Volume 1

Brilliance of Life, Billions of Stars: Rintaro’s Galaxy Express 999

Genshiken

Why I Like Ogiue, Part 2

Battle, Fever: Genshiken II, Chapter 64 (SPOILER WARNING)

The Difference in Variety in the New Genshiken

My Dream Spinoff: Boss Borot the Animation

On the most recent Speakeasy Podcast, the Reverse Thieves discussed spinoffs/re-imaginings/sequels of series we love, with the caveat that they had to have definite endings, and asked listeners to come up with their own examples. It was actually a difficult question for me at first because what would have been my top two choices, Genshiken and Eureka Seven, are now currently enjoying sequels themselves. Obviously fortunate for me, but still a monkey wrench into the question at hand.

Then I remembered another idea I had some years ago: an anime starring Boss, the bumbling side character from Mazinger Z and his eponymous mecha, the Boss Borot. Sure, we got Shin Mazinger with its more charitable portrayal of Boss wherein he showed some competence and a fair amount of courage, but he was still ultimately on the sidelines. What I would like instead is a show where Boss and his Borot are in the spotlight, and a villain appears that he has to deal with more or less all by himself.

The way I picture it, the villain would be this diabolical mastermind who would always envision the mysterious pilot of that “round menace” to be some genius tactician who can read five moves ahead, when in fact Boss probably defeated him accidentally. It would be a relationship similar to Inspector Gadget and Dr. Claw, or if we want to just stick to anime examples, Boss would be like Yurika from Nadesico or Captain Tylor (though I’ve never actually seen The Irresponsible Captain Tylor so I’m hesitant to make that comparison only on what I know from listening to others).

I’m not really sure if there should be a Penny to provide competent support, though. Maybe his henchmen Nuke and Mucha would be help enough.

In any case, I even thought of the main hook for the opening theme.

“BORO BORO BORO BORO BOROTTOOOO

-Kageyama Hironobu (in my imagination)

Gundam AGE as Healthy Failure?

I’ve been enjoying Gundam AGE quite a bit since it began airing, and I think it’s a solid show (thought not without its flaws) which successfully utilizes its main premise of a battle being fought over multiple generations. The second generation hero Asemu is a far cry from his dad Flit when they were similar ages, and through hindsight it ends up highlighting what made Flit unique in the first place. As it turns out, though, Gundam AGE isn’t doing so well in the ratings, and it apparently has failed to reach the kids demographic it was trying for in the first place. At this point, it’s pretty easy to just say that the mistake was marketing to kids, that they shouldn’t have repulsed the older fanbase through the kiddier designs and the like, and that the solution is more UC (or things similar to the Universal Century stories), but I think this would be a huge mistake.

Putting aside the fact that this is not the first time that a good Gundam series has disappointed in the ratings (see Gundam X and even the original Mobile Suit Gundam) and just assuming that nothing the show does now will turn it around, the kind of risk that Sunrise took in gearing Gundam AGE towards a younger demographic is, in my opinion, the healthiest kind of failure there is. Well, if you consider it in terms of profits lost I’m sure there would be some disagreements, but what I mean by healthy failure is that they didn’t have to do this, but saw that there is a potential market from a new generation far removed from the original 1979 anime, and made a concerted effort to appeal to it. It reminds me of Sunrise’s recent hit, Tiger & Bunny, because that show was a surprise hit to even Sunrise themselves, and I have to wonder if it encouraged them to take more risks. Obviously I don’t know if AGE was in planning before or after T&B, but there seems to be this general spirit of experimentation which I’d rather not see stifled because of this setback.

When Sunrise did research into why kids weren’t getting into AGE, they arrived at the conclusion that kids these days don’t understand or know about wars and space colonies. It seems like an odd result, but assuming that this is the problem (or perhaps more accurately that modern kids don’t care about space war by default), the thing I want to point out is that there are ways to work from this information without just abandoning it entirely. If the children of Japan today are ignorant of wars and space colonies, then perhaps one of the goals of a Gundam which targets them should be to introduce those concepts  as if they were entirely new. In other words, if it’s unfamiliar, make it familiar.

Perhaps an easier solution would be to just find out what the kids like and transform the premise to fit the current trends, but I don’t think the solution has to be an all-or-nothing endeavor, even if Gundam AGE may have toed the line too much. Heck, I think looking back at the previous alternate universe of G Gundam could provide some nice possibilities, not so much because of the martial arts aspect, but the premise of having Gundams from various nations each with their own special abilities, which isn’t that far off from the cast of a collectible card game/monster battle show.

Otaku All Stars DX We’re All Friends Miraculous Gathering: Genshiken II, Chapter 75

In Genshiken II, Chapter 75, friends new and old gather together in what may be the largest conglomeration of named otaku characters so far.

It’s time for the school festival at Shiiou University, and with comics done and costumes ready, the Genshiken have set up their own room. In addition to having much of the veterans around (Madarame, Ohno, Kuchiki, Tanaka), old friends from high school come by to reunite with the new generation of Genshiken members. For Yajima, we have her friend Mimasaka, a shy girl who apparently thinks the world of Yajima. For Yoshitake, we get to see her old crew from the History Club. As for Hato, it’s unclear whether or not they’re actually his friends, but Konno and Fuji basically look like a grown-up Pinoko from Black Jack and Mina the bridge bunny from Macross Frontier with her hair trimmed (or perhaps Q-Bee from Vampire Savior with that striped shirt), respectively.

Keiko also appears, and as always doesn’t mince words. She ends up making things doubly dangerous by first asking aloud if Kohsaka and Kasukabe had arrived yet (Madarame didn’t know), and then following it up by asking if Madarame and Hato are dating, unaware of Hato’s true gender, which makes Hato end up feeling even more awkward.

All of that discomfort is nothing compared to the biggest reveal of the chapter, as the mysterious “senpai” from Hato’s past makes an appearance, and it turns out that she looks almost exactly like Hato in his default outfit, long hair and all. Genshiken‘s had some tough cliffhangers in the past, but none are probably as intense as this one.

So, I just have to say, between all the new characters introduced and all of the interesting information and dynamics they bring to the story, there is so much to talk about that I’m not sure I can get around to all of it. I’m not even going to really mention the hilarity of Sue, Yabusaki, and Asada this chapter other than to show this image.

I’m going to kind of work my way backwards and start with Hato’s senpai, Kaminaga. The fact that Hato actually based his entire feminine look on the girl he may have liked back in high school (it’s still unclear what the “trauma” was) is just so mind-blowing that I have no idea where this is going. Together with the fact that he’s a crossdressing BL fan who identifies as straight but who felt strangely down when Madarame mentioned his lack of interest (“It’s physically impossible”), it makes the enigma of Hato’s sexuality all the more complex even just as we began to have a clearer image ofhim. It seems like Kaminaga’s personality is quite different from Hato’s, though, so I’m looking forward to seeing how this all turns out.

As a brief aside, I’ve noticed a trend with trap characters where they often have a nearly identical female equivalent. If it isn’t Hato and Kaminaga, it’s Bridget from Guilty Gear XX, Maria from Maria Holic, and Hideyoshi from Baka and Test each having twin sisters whom they could pass for. I might write a standalone post about this at some point, but I just have to wonder what the exact purpose behind this recurring concept might be.

It totally slipped my mind that Hato and the other freshmen have never met Keiko, but it obviously makes sense. After all, the only time we’ve really seen her in Genshiken II was when she had the man-to-man talk with Madarame, and her dissimilarity with her older brother makes it really easy to not immediately realize her relation to Genshiken, even if they do look alike. Keiko really hammers home the point that all of the interactions this chapter were basically simultaneous reunions and introductions.

Also of note is how Ogiue behaves around Keiko now, which is the subtle sense of fully accustomed nervousness. I like how Keiko refers to Ogiue as “Onee-chan” now, too. Did you know that the first instance of Keiko calling her “sis” came from the extras of the CD release of Genchoken, the Genshiken radio show starring the voice actors of Ogiue (Mizuhashi Kaori aka Madoka Magica‘s Tomoe Mami) and Madarame (Hiyama Nobuyuki aka Gaogaigar’s Guy Shishioh)? It’s true, and also didn’t make sense at the time because in the anime Ogiue and Sasahara weren’t dating yet (a fact which they acknowledge).

As for the other friends and acquaintances who appear in this chapter, one thing I want to point out is that, for Genshiken, the degree to which we learn about the characters’ histories is unprecedented. Think about it: other than Ogiue’s situation (which got its own entire story arc), the most we know about the characters prior to them attending college is that Ohno spent time in the US and made friends with Angela and Sue, Saki once dated some guy, Kohsaka used to have a shaved head, and Madarame was an awkward fellow. But here, we get to see how the relationships that were created back in high school work may have shaped their respective personalities and quirks.

The fact that Mimasaka is even more awkward than Yajima herself kind of puts Yajima’s initial reaction to the ladies of Genshiken into an even clearer perspective. Yajima no doubt did not have a fantastic high school life, but between her and Mimasaka she was the more socially capable one. With Genshiken, however, when she entered a world where the girls were pretty and talented with good personalities, it was probably like when someone with top grades goes to a top school and finds out that as far as geniuses go, they’re pretty typical. In that respect, it also brings to mind the fact that people can have different interpersonal dynamics with different groups of people, like Tenzin in The Legend of Korra, who is both an old and wizened benevolent leader as well as his mother’s son.

I like Mimasaka’s design. I feel like it really captures this sense of cuteness that can only come from being so awkward, and her lack of fashion sense is distinct from the lack of fashion sense that Ogiue had back then. Also, her first appearance this chapter makes it clear that she was the girl from Yajima’s flashback even though we only see her from behind.

Yoshitake meanwhile is clearly the product of being around a couple of extremely like-minded individuals, as Fukuda and Sawatari are quite similar to her. Just from seeing their opening greeting it’s easy to tell how much fun they had in high school, even if, again, the entirety of their lives as teenagers wasn’t particularly fantastic. At the same time, the fact that Yajima certainly isn’t the same but they get along quite well may say something about Yoshitake’s ability to make friends and break ice.

For Hato, well, we don’t really know how Konno and Fuji act around him, but they know he’s an otaku and they sure seem intent on finding him at the festival. Actually, though, I just want to talk more about their character designs. I thought that Asada would be the sole “silly” design in Genshiken, a one-of-a-kind oddity, but I’m strangely glad that isn’t the case. I thought I wouldn’t enjoy having designs this strange, but I find myself feeling just the opposite, especially when it comes to Konno’s hilariously large eyes (which I was tempted to call “peepers” just to emphasize their cartoonishness). Somehow, Kio makes them work.

What’s probably the most interesting part of all this, however, is the fact that they had these close friends in high school in the first place. Again, from what little we know of the previous Genshiken members’ lives, they didn’t appear to retain very many friends from the past. I feel like this might again speak to the generational difference, where even though all of them were nerds in the end who couldn’t find love in their teen years, they still lived in an era where being an otaku doesn’t automatically mean total social reclusion, just maybe partial.

In any case, I actually like the size of the cast now. For one thing, it provides me with more characters for the Fujoshi Files, but more importantly, the world of Genshiken expands further in a really interesting fashion.

Ao is His Father’s Son (Eureka Seven AO)

Eureka Seven is one of my favorite anime ever, Eureka is one of my favorite characters ever in a show full of incredible characters, and I consider the pacing of the show to be among the best I’ve ever seen. It’s a tough act to live up to, and so with the new Eureka Seven AO currently running in Japan, I wanted to at least give it more than one episode before I started talking about it. Not that I thought that the first episode was bad and needed a second one to “give it a chance,” but my experience with the original told me that this may very well be a show which continually ramps up and whose threads (plot, thematic, or otherwise) are only barely visible in the beginning.

To cut straight to the chase, the main character Ao is clearly implied to be Eureka and Renton’s son. As a result, I feel like Ao inevitably draws comparisons to Renton, but also that the show obviously wants you to do so. The first episode of the original Eureka Seven was all about how Renton wanted to escape his boring, do-nothing town and join the fabulous rebels of Gekkostate, whereas Ao has to deal with the constant materialization of skub coral and the destruction it causes. On top of that, both have parents whose legacies at first seem larger than them, with Renton’s father Adrock being regarded as the greatest hero who ever lived and Ao having to cope with the fact that even mentioning his mother and her turquoise hair on the island garners animosity. The difference between the overbearingly positive reputation that Renton had to deal with and the overwhelmingly negative one that Ao must live with draws an additional interesting parallel, but I feel like it does so while making Ao seem like his own character.

It also doesn’t hurt that Ao’s relationship with his friend Naru is distinctly different from Eureka and Renton’s. It seems to be built on this strong friendship which goes beyond the immediate conventions of the island where they live, and I actually have it in my mind to judge anything related to Eureka Seven based primarily on how it handles its main romance. The reason is that when Eureka Seven was originally airing, during the breaks there would be commercials for the Eureka Seven: New Wave PS2 game where the slogan for the game was “Another Boy Meets Girl.” This of course implies that Renton and Eureka were themselves a “boy meets girl” story, and the fact that their romance was so unbelievably strong supporter that concept. In that respect, and many others, I continue to look forward to Eureka Seven AO. No guarantees it won’t wipe out (see what I did there), but I feel like it’s definitely off to a strong start.

The Fujoshi Files 41: Oshiroi Hana

Name: Oshiroi, Hana (白粉花)
Alias:
Muscle Deka (筋肉刑事)
Relationship Status:
Single
Origin:
Ben-To!

Information:
Oshiroi Hana is a high school student and member of her school’s Half-Price Food Lovers’ Club. Along with fellow club members Satou You and Yarizui Sem, she engages in fiercely violent late night battles in supermarkets around Japan to get bentou for 50% off. Despite her lack of martial prowess, Hana is still able to achieve success through a combination of good timing and a knack for avoiding direct conflict. She is friends with student council president Shiraume Ume, who is in love with Hana. Oshiroi is likely aware of this.

Oshiroi is known online for her BL novel Muscle Deka (“Muscle Cop”), which she populates with characters who are (thinly-veiled) references to fighters in the supermarket half-price food fights. Changing everyone involved into sweaty, beefy musclemen (including the women), her stories tend to involve Satou Saitou being brutally violated by other equally large men.

Fujoshi Level:
In order to garner inspiration for her novel, Hana cuts out and pastes photos of guys’ heads on top of pictures of bodybuilders. This is especially the case with Satou.