Kio Shimoku June 2021
These are tweets from manga author Kio Shimoku from June 2021 that I found notable and informative. They include a number of early sketches from Genshiken, and his dreams of having a vacation home just for building model kits.
Genshiken and Related Drawings
Though he can’t quite remember, Kio presumes this is Ogiue practice from Genshiken. He thinks he made her too loli in these drawings.
Original Sue design from Genshiken. Kio thinks she comes across differently here.
Early Madarame. Kio thinks he captured the spirit of the character well. Character descriptions on the drawing include: close-cropped hair, thin, lolicon, high-energy, glasses, and likes fighting games. Originally, he was supposed to be the best at fighting games among the group, and his preferred main was Nakoruru from Samurai Shodown. The notes also describe him as being essentially the leader of the club despite being a second-year, and also that he likes to tease others.
(What I find interesting is that the fighting game skills went to Kohsaka, and that the character gained a lot more vulnerabilities in the actual manga. Those flaws are part of why people like Madarame, and here we see sort of what could have been.)
Ogiue autograph boards, the purpose for which Kio doesn’t remember.
By the way, if anyone has the actual final versions of these, I would like to make a deal.
A rough manuscript of a manga Kio was planning before Genshiken. It would have been an action series featuring magical sage powers (senjutsu).
The wife’s ex from Spotted Flower, crossdressing as part of a prank on the editor character.
Giant Robots and Model Kits
A custom design for a Zeong. Kio feels like he still doesn’t have what it takes to make this work.
A 20-year-old photo Kio took of a model kit he built. The robot is the L.E.D. Mirage from Five Star Stories, and the photo was taken with a non-digital camera. Airbrushing was probably involved.
Kio saw Mobile Suit Gundam: Hathaway’s Flash. Even though the Universal Century timeline has been around for a long time, the film is full of imagery he’s never seen before: what first class looks like for civilian space travel, a military mess hall that’s like a food court, the terror of having to move around the legs of mobile suits in combat. He was glued to his seat while watching..
A 1/144 model kit of the Waff from Gundam: The Origin. It’s the only airbrushed Gundam model Kio has, and he likes how it’s small but still looks chubby.
Kio’s first tank model kit: the Panzer IV Ausf.D from Girls und Panzer. Kio mentions not really knowing how to do weathering, and that he used the darkest paint from the Waff on this kit as well. He also likes how sharp the details are.
The first thing that Kio thinks of when he sees the term “plastic model training camp” is Plamo Kyoushirou, the proto–Gundam Build Fighters manga. He recalls wanting to be like the characters taking the kit boxes out and saying, “I’m gonna make the Dougram!” and “I’ve got the Real-Type Zaku!”
After he became an adult, he started collecting them to his heart’s content. It’s why he wants an extra vacation home, so he can have room for all the kits—though actually, he has so many he can’t add any more. But model kits keep on evolving, and he wants to keep up.
Kio continues to describe his dream of a lodging just for model kits that would have all the equipment and features needed to build kits, and stacks of manga to read. Then, he and the others there would go out at night for drinks.
After someone mentions that the possibility is closer than he might think, the conversation mentions a Wonder Festival dealer named “Backyennew.” Kio responds that he knows this garage kit maker.
Responses to Other Works
Kio recalls this crossover drawing between different Shounen Sunday characters. After trying to remember what happens on the next page, a follower answers that it was a kind of fourth-wall breaking moment where they mention that the other manga authors said to do this.
Kio watched the anime film Pompo: The Cinéphile, and thinks it’s a really interesting movie. He talks about how important the editing process is, and recalls that back when he worked on Gonensei [The Fifth-Year], he tried to cram every idea in. For that reason, the progress the character Gene makes as a first-time director is impressive.
By the time of Genshiken, Kio knew how to edit down better, though he actually just took the cut material and turned them into extras in the collected volumes.
The director of Pompo, Hirao Takayuki, is happy that Kio “of Genshiken fame” tweeted about the film. Hirao says he read Gonensei, and that the pain from that manga is still with him today. Kio gives him a big thank-you, mentions how young and inexperienced he was at the time of Gonensei, and compliments Hirao for the highly technical edits. Kio also says the movie being shorter is a good thing, and that he still want so get the second half of the limited-edition extra booklets.
…And here he is with both extras.
In order to get all the limited-edition goods, Kio went to see Shin Evangelion four times. The fourth time around, he felt he could just sit back and enjoy the movie.
Kio points out that this song, “Ame” (Rain) from “Mizu no Inochi” (The Life of Water) is mentioned in Volume 3 of Hashikko Ensemble.
Kio went to see this mini concert by the Oedo Coraliars. He was blown away by the harmonizing.