What Madarame and Hato Really Said: Genshiken II, Chapter 122 Supplement

Recently, it’s come to my attention that a translation of Genshiken Chapter 122, aka the “Madarame Harem Arc Conclusion” chapter, has been going around that have some serious inaccuracies as to what is being said by Madarame. This seems to have created a good deal of outrage, with people believing that Madarame and Hato are both claiming that Hato isn’t really attracted to men.

That is completely wrong, and I’m here to correct that mistake.

SPOILER WARNING, of course.

First, here’s pages 130-132 from the serialization, when Madarame is explaining his reason for not dating Hato.

Yoshitake: Rame-senpai, you didn’t deny the possibility of Hato x Mada, so what’s the problem with Hato?

Madarame: Well I wouldn’t call it a problem… Let’s see. If we were together, I get the feeling that he would think about it too much and become a wreck in the process.

Yoshitake: …Aahhh… I think I understand…

Yajima: (That’s exactly what would happen.)

Madarame: Let’s say we started dating and hit it off. Even if that happened, I feel that he would be torment himself, believing there was some other pretext for our relationship.

At some point, he would think, Madarame has to feel reluctant about dating a man, right? Hato would think too much, and suffer for it. It should be simpler than that. “Hey I’m just a fudanshi who loves to crossdress, that’s all. No more, no less.” Wouldn’t that be a much better way to live?

With the above, I think you can see that Madarame is not claiming that Hato isn’t gay or bisexual. Rather, what he’s saying is that he wants Hato to find a relationship where he can feel comfortable being himself.

Now, here’s Hato’s later reaction and conversation with Yajima, on pages 143-145.

Yajima: You look better off than I was expecting.

Hato: I’m just really feeling the fact that it’s all over and done. I said everything I wanted to say, and if that’s the case…

Besides, it was a relief to be rejected. It was just as senpai said. Between my appearance and my love of BL I’m going to run into problems eventually.

I understood that, no matter how much I might like someone, it wouldn’t work out with a guy. Even knowing that, I still fell for senpai. Even now my feelings haven’t changed. I’ll probably go on loving him forever. That’s why I think Madarame senpai will be the first and last man I ever love.

Here, Hato does not deny that he was genuinely attracted to Madarame, nor is he going for the, “I don’t love men but I love you!” What he’s saying is that he thinks his feelings for Madarame are never going away, and that no one will take his place. Is he exaggerating? Maybe? Where he is feeling conflicted is the idea that a relationship can’t work with a guy, but that seems to be for other reasons, perhaps owing to society.

I hope this cleared things up for you Genshiken fans. In the end, Hato still isn’t with Madarame, but I think it’s clear that they both think well of each other.

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And Time Moves: Genshiken II, Chapter 122

NOTE: It seems that an inaccurate translation of the contents of this chapter have been floating around. Please look at this supplemental post after reading this review to get the right picture.

At long last, Madarame makes his choice in Chapter 122. And in the end the winner is…

Is…!

…No one. Madarame chooses to abstain.

I get the strange feeling some readers might be pulling out the pitchforks, but I think it’s best to put them away. I believe the reasons behind Madarame’s decision are worth exploring, as they really show the kind of consideration Genshiken has for its characters and their connections to both the real world and that of their awkward nerd fandom.

Madarame says that there is no universal reason he’s chosen not to date any of the girls. Each circumstance is unique. When you add them all together it paints an interesting picture.

For Angela, it’s a matter of a long distance relationship, but Madarame explicitly mentions that it has to do with the idea that being with the hottest thing on Earth, but only having physical contact twice a year, would be like “torture.” Implied is the notion that Madarame is open to the idea of a relationship based on bodily desire, but that’s untenable unless Angela moves to Japan.

Physically, Madarame is ready, but emotionally he’s not. This is what puts Keiko out of contention, as the possibility that Keiko will remind him of Saki, whether because of their similarities or because Keiko might just mention her in conversation is difficult for him at this point. While Madarame is indeed attracted to Keiko, the important thing is that he needs more time to come to terms with his lost love. As Madarame mentions, he’s just been kind of passively going along with everything, and that’s probably what he needs least at this point.

Sue’s is an odd rationale, because Madarame’s “reason” for not dating her is because he likes seeing Sue’s displays of yuri affection with Ogiue. This feels like a cop-out, but I really do think there’s more to Madarame’s words than meets the eye. Given how positively Sue reacts to Madarame’s explanation, I think it shows that Madarame not only understands Sue well, but that he sees Sue herself as not being ready for a relationship. She’s still shy and sensitive, and might need more time to step out of her shell.

Madarame’s basis for rejecting Hato is the most complex of all, but it all comes down to not wanting to hurt Hato. Madarame explains that, even if he and Hato were to work out as a couple, the constant worry that Hato has had to suffer because of Madarame risks being not simply a short term thing.

In all likelihood, their relationship would be forever plagued with doubts and second-guesses as to whether Madarame likes the fantasy more than the reality, or whether Hato feels comfortable being who he is. As Madarame puts it, Hato should be with someone who just simply accepts him as he is, and lets Hato feel like his identity as a crossdressing fudanshi is a matter of course. This mindset mirrors a conversation the two once had, where Madarame mentioned that Hato’s just the way he is and it shouldn’t be a big deal.

I think some readers might also be concerned that Hato says that Madarame will be the first and last man he ever loves. Hato says a lot of things, like how he has no interest in men at all. Pretty much every character in Genshiken changes their mind, and Hato is just the best example of this.

All of this means that, of the four prospective love interests, only Hato has truly been rejected. Madarame considers both Keiko and Sue as not having any faults that aren’t rooted in Madarame’s own broken heart, and if Angela were to move to Japan, I think he might die from crushed pelvis (it’s also worth nothing that the virgin vs. whore thing doesn’t even come up, which might say something about Madarame’s maturity). Essentially, Madarame has been on the rebound this whole time, and his clouded judgment, combined with his propensity for waffling, has been a bad combination that can only be solved with time and some space.

I think it all makes sense.

Genshiken sets up two new threads in the aftermath of the Madarame harem arc. First, as Hato mentions that he likes the idea of finding someone who accepts him without much fuss, Yajima sees this as possibly her opportunity. The irony here is that Yajima didn’t accept him for the longest time, as her more conservative values as well as her poor self-image made Hato a target of mild disdain and jealousy. Things are different now, but the real question is…how different? Spotted Flower different?

Second, as if to speak directly to those readers who missed the way Genshiken was once upon a time, the next chapter preview basically says that the manga is going back to doujinshi and clubroom antics. Something tells me that this isn’t giving the whole picture though.

As for Ogiue, I feel as if Kio put in extra care when drawing her this chapter. Call it a hunch.

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The Fujoshi Files 153: Nishina Shima

Name: Nishina, Shima (二科志麻)
Alias: N/A
Relationship Status: Single
Origin: Kiss Him, Not Me

Information:
Nishina Shima is an extremely wealthy cosplayer, fanfic and doujinshi creator, and fujoshi who finds herself attracted to fellow fujoshi Serinuma Kae. As the only girl among Kae’s suitors, as well as the only one who directly understands her taste for yaoi, Shima uses this advantage to get a leg up on her rivals. Like Kae, Shima is a fan of the series Mirage Saga and Katchu Love, but their interests in opposite pairings can cause some tension.

Shima loves beautiful things, though her definition of beautiful focuses on how people are inside. Though Kae believes she met Shima at Comic Market for the first time when Shima rescued her from a creepy photographer, in fact they had met much earlier. Shima had been interested in Kae prior to her weight loss, but was originally unable to recognize her after the fact.

Fujoshi Level:
The quality of Shima’s doujinshi is high enough for Kae (pre-transformation) to buy all of them. In addition, her collection of fujoshi material outstrips even Kae’s.

Death, Rebirth, and the End of Coppelion

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Coppelion, the science fiction manga about genetically engineered clones tasked with finding any remaining survivors in a radioactive Tokyo, finally wrapped up last month on February 20, 2016.

Running since 2008 for over 20 volumes, Coppelion has had a rather turbulent history. Its story about an earthquake that triggers a nuclear meltdown in Japan and changes the course of many lives went from “what if” to “what now” with the Fukushima Triple Disaster on March 11, 2016. Its animated adaptation was canceled, then revived with heavy censorship and a strange modification to its aesthetics. Coppelion has seen multiple tonal shifts over the course of the series that had people wondering if it was a manga about radiation or an excuse to see high school girls fighting.

For all its ups and downs, I believe that its author Inoue Tomonori had the best intentions in mind throughout Coppelion‘s run. Elements that one might assume were there merely to cater to manga readers actually carried with them a great deal of subtlety, and the subject of nuclear power never truly disappeared from the manga. In fact, I suspect that the decision to conclude Coppelion at this point is very deliberate and designed to make a statement.

Not only was the final chapter of Coppelion published in Monthly Young Magazine right before today, the fifth anniversary of 3.11, but the initial disaster that sets the story of Coppelion is supposed to take place this year, in 2016. What better place could there be to bring this narrative to a close?

Though I have no evidence as such, I think it is very likely that this final chapter was planned to land in this time frame, as a symbolic reminder of the potential dangers of nuclear radiation, as well as the problems created when both people and the governing bodies responsible for its regulation become negligent towards nuclear safety.

You can read the Coppelion manga online at Crunchyroll.

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Return to Saki Vols 1-2: A Yuri Mahjong Retrospective

saki-reign

Saki is special to me. While I certainly was no stranger to anime and manga when it first aired, Saki (along with Akagi) formed the foundation of my interest in Japanese mahjong. As I learned and improved at the game, my experience with Saki also changed, going from not understanding the nonsense going on to realizing how much Saki mahjong is nonsense (fun, but nonsense nonetheless). I’ve had a lot of fun throwing panels about mahjong and analyzing the amazing powers that crop up in Saki. I also know I’m not alone in this respect: Saki is known for changing the genre of mahjong manga from the exclusive domain of yakuza narratives and hard-boiled intensity to girlish yuri and high school competition. They even made a tongue-in-cheek parody manga about the author!

With that in mind, I recently picked up the first two volumes of the English digital release of Saki by Yen Press. Had I realized the first volume was already out for two months I probably would’ve nabbed it sooner.

Saki is the story of a young girl named Miyanaga Saki who, similar to Takumi’s role in Initial D, has an immense talent for mahjong but is not a fan of the game. She gets roped into her school’s mahjong club, where the class president notices her absurd strength at the game despite Saki’s best efforts to hide it. She eventually joins the mahjong club and starts their path towards the high school championships.

Going over these early chapters (which I had really only seen in anime format), quite a few things strike me as noteworthy, all of which can be summed up by the fact that, at this starting point, Saki is still trying to find its way.

saki-yuri To say that the series did not have any basis in the yuri genre this early would be a baldfaced lie. In fact, the first thing that happens in Saki is Saki remarking on the beauty of her eventual teammate and best friend, buxom digital mahjong warrior Haramura Nodoka. One thing that does fade into the distant background, however, is the sole male club member Kyoushirou, who seems to start the series as a kind of male audience stand-in but eventually becomes all but fused with the background. I think at this point the series was trying to decide whether it would be more of a harem or more of a girls-only world, and it’s come to lean clearly in the direction of the latter.

saki-haremAnother aspect that’s changed significantly would be the artwork. As creator Kobayashi Ritz’ style has developed, the girls have gotten softer, their features more simplified yet pronounced, and I don’t even mean that only about Dragon Ball Z-esque chest size power creep that has occurred over the years. Some of the girls look very different here than they do in the current chapters of the manga, and both look quite different from the official anime character designs. I personally don’t have a preferred style for the characters.

saki-earlysatoha

I also noticed that the manga actually sets up one of the major opponents for Saki and the rest of Kiyosumi very early on. As seen in the page above, one of the players is clearly Tsujigaito Satoha from Rinkai, which is a really strong school from later in the manga. There are no details about how Satoha basically dismantles opponents with pure skill as opposed to mahjong magic, but she’s there nevertheless.

The last thing I want to say is, as someone who’s approaching Saki with a firm grasp of mahjong now, I can’t quite say how reliable the translation is for those who don’t have a clue. What’s notable is that it mixes official English terms from mahjong in general with a few Japanese-only terms, and I wonder if that helps or hurts, say, people who are only familiar with Chinese or even American-style mahjong. Does that matter at all? I certainly enjoyed the series in its anime incarnation despite a lack of knowledge, but do the still image flourishes of manga have the same impact as seeing the titles fall? Does the electricity of a riichi call work in panels as it does on screen? That’s something for a new generation of Saki readers to decide.

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[Apartment 507] Shidare Hotaru from Dagashi Kashi Fascinates Me

shidarehotaru-fakedrunk

I wrote a post about the eccentric heroine of Dagashi Kashi over at Apartment 507. You can find out why Hotaru might be my character of the year, and why her role as a sheltered dagashi heiress is so interesting to me.

The Fujoshi Files 152: Serinuma Kae

Name: Serinuma, Kae (芹沼花依)
Alias: Ekka (えっか)
Relationship Status: Single
Origin: Kiss Him, Not Me!

Information:
Serinuma Kae is a high school student whose dramatic weight loss as a result of the trauma of her favorite anime character dying gives her an inadvertent makeover.  Afterwards, she attracts the attention of a number of boys (and even a girl) at her school. At first unrecognizable to even those close to her, Kae’s devotion to her favorite pairings and series at first overwhelms her potential suitors (especially her extensive merchandise collection), but they all come to accept it sooner or later, especially given the genuine passion she exudes for her yaoi pairings.

Kae’s favorite series are Mirage Saga, which is home to her dearly departed favorite character Shion, and later Katchu Love, an anime about a samurai armor that can transform into a handsome man. She shares her fujoshi hobbies with her best friend Nakano Amane, as well as one of her suitors, Nishina Shima.

Fujoshi Level:
Kae’s fondness for Katchu Love and the pairing of hero Sametora Hyakka and his armor Akane may or may not have caused the angry spirit of the real Sametora to achieve peace and pass on to the afterlife.

Nayami Heat: Genshiken II, Chapter 121

The trip to Nikkou winds down with a final stay at Yajima’s family home. Yoshitake presses Madarame to make a decision about who to date, but as each potential partner makes their case (or has their case made for them), Madarame is still hesitant to pick. However, when Kuchiki suggests that it be done by lottery if Madarame doesn’t care one way or another, Madarame chooses not to leave it in fate’s hands and declares that he will make his decision…next chapter.

Is it at long last the end of the Madarame harem arc? Will he end up with anyone or perhaps no one at all? Will Genshiken actually have Madarame choose, or will it be a Naruto-esque string of chapter titles each more final than the last?

Personally speaking, the harem aspect itself, the fact that four individuals are attracted to Madarame to varying degrees, is less interesting in terms of who ends up with who, and more in terms of its opportunities for characterization. This includes characters both inside and outside of the harem.

One of Yoshitake’s recurring traits is that she always has the group dynamic in mind. Much of the reason she wants Madarame to just choose already is because she’s worried about the relationships, the friendships, that exist among the members of Genshiken. The longer Madarame takes, the more these threads get frayed, but at the same time she wants the decision to be a real one, not a spur of the moment fancy. That’s why she arranged the whole Nikkou kujibiki dating scheme in the first place.

Angela is an impossibly attractive blonde American who encourages polygamy, having the least to lose due to the distance between the US and Japan. She has an interest in Madarame, but is more about having a good time. Sue, as Ogiue puts it, is Madarame’s ideal character: a blonde loli who’s also fluent in both “Japanese” and “otaku.” However, even after her confession it’s clear she still isn’t entirely sure what she wants their relationship to be. Hato is a “girl-boy” straight out of a visual novel,  but interestingly enough is still espousing the potential pitfalls of a homosexual relationship to ground Madarame in reality. They all carry some element of wish fulfillment that borders the realm of perverted imagination with some counter-balance in the fact that they’re all actually human.

In contrast, Keiko’s points out that she’s the most similar to Saki out of all of them, and this hits Madarame like a ton of bricks. While that makes Keiko in a way the most “realistic choice,” her words also carry an element of fantasy to them. She is the closest to fulfilling Madarame’s unrequited love for Saki, the most profoundly grounded woman he has ever met. The fact that Madarame reacts so intensely to Keiko’s words shows that he still holds a torch for Saki, and perhaps even suggests that his indecisiveness towards both accepting and rejecting others is a product of a desire to be wanted but also to want someone like Saki.

It’s surprising that Keiko of all people objects to Angela’s “harem ending” suggestion, stating that she’d rather not be involved at all if that’s how it’s going to end up. She wants to try a monogamous relationship, and she’d rather be single than deal with some fantasy otaku arrangement. Given that Keiko is not above seeing more than one guy at a time, I think it might say something about how Keiko sees Madarame as an opportunity for some stability, and further puts into relief the differences between her and the rest. At the same time, being an approximation of Saki isn’t actually being Saki, so in a sense Keiko becomes the most “ideal” choice of all. Of course, she certainly doesn’t see it that way, and I wonder if she in fact sees herself as what Madarame ultimately needs.

Madarame, as much as he acts like anyone would do because he’s just a dorky, desperate otaku, is suddenly against the idea when it’s suggested that he pick randomly when Kuchiki brings it up. Madarame is neither totally noble nor utterly selfish, and the realization that he cannot just keep the harem in stasis as is common in long anime and manga series ultimately forces him to try and choose on his terms rather than leave it up to luck. I think somewhere in his decision is the belief that having the choice made for him is utterly irresponsible and would lead to more harm than good, while also clarifying that he clearly does not see all of them the exact same way. In the end, actions have consequences, and I look forward to seeing how this plays out.

To end off, this month’s Ogiue moment is more of an Ogiue focus than anything in a long while. As briefly alluded to above, Ogiue gets really invested in presenting Sue as the best possible choice for Madarame, even going so far as to say that this is Madarame’s once in a lifetime chance to be with this girl of his dreams. What’s really notable about her behavior in this instance is that Ogiue has never really come across as being particularly invested in the Madarame/Sue combination even if she does believe it’s the right choice. It feels like there’s something more at stake here. Is it being able to finally get Sue to abandon the “Ogiue is my wife” joke (probably wouldn’t happen)? Does she truly believe that Madarame and Sue are best for each other? Does she want to give Sue some happiness? Whatever the case may be, I quite enjoyed seeing Ogiue’s fire.

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Lucifer and the Biscuit Hammer or The Lucifer and Biscuit Hammer? Either Way It’s a Nice Manga

hoshinosamidare-biscuithammer Hoshi no Samidare by Mizukami Satoshi, known in English bizarrely as Lucifer and the Biscuit Hammer (and sometimes The Lucifer and Biscuit Hammer) is an odd manga. Ostensibly a story about a boy who gets mystic powers in order to fight an evil golem-creating wizard, The Lucifer and Biscuit Hammer sports an eccentric cast of characters, an even stranger goal for its main characters, and a convoluted sense of narrative progression that somehow only adds to its appeal.

Amamiya Yuuhi, who has all the appearance of a typical high school kid, wakes up one day to find a talking lizard. The lizard, Neu, informs Yuuhi hat he is a knight who must protect their princess from an evil wizard and save the world from the dreaded Earth-shattering “Biscuit Hammer,” a huge mallet hanging over the planet visible only to those with profound despair. However, the princess, Asahina Samidare, is fiercely powerful, possessing beyond superhuman strength, and has her own agenda. Calling herself a demon lord (the titular “Lucifer”), Samidare seeks to stop the Biscuit Hammer because she in fact wishes to destroy the planet herself, and Yuuhi becomes her loyal servant in her cause. Overall, the series can be viewed as a kind of sekai-kei (world-style) manga, stories where the fate of the world rests on a “you and me” relationship.

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When I say that this manga’s sense of progression can be confusing, what I mean is that often times it seems as if the stakes of their battle seem both all-important and frivolous at the same time. Most of the characters have unusual personalities that position them somewhere between delusional and disillusioned, trapped by their own immaturity, but many of them grow over the course of the series. Their fight to foil the wizard and his Biscuit Hammer involves taking on progressively stronger and stronger golems as if they were video game bosses, but then sometimes a friend or ally will die in battle. The emotional weight of the deaths are expressed as quite significant and serious, and yet the question of whether they’ve made any real progress (or how progress can be defined) is ambiguous. It might sound frustrating, but it gives Lucifer and the Biscuit Hammer an odd charm. If anything, it feels akin to a more optimistic and lighthearted Bokurano. While that series is about as fun and happy as a mass suicide, there’s a similar sense of characters grasping at the darkness.

hoshinosamidare-holdingfield

The art in Lucifer and the Biscuit Hammer has an unrefined quality to it, where characters appear a bit flat and the world feels frayed and uneasy. However, I believe that this also helps to give the manga that shaky sense of progression that makes it such an interesting story. The manga also does a good job of playing with and presenting its characters’ powers, especially given the versatility of their core ability. Each character is capable of using a “holding field,” a mass of dense energy that can be used in a variety of ways, including creating stepping stones in the air, being thrown as a spear, and more. It can be a difficult thing to make look interesting, yet the action scenes have weight and impact.

Overall, I find that Lucifer and the Biscuit Hammer is not so much an addictive series that has you hungering for the next chapter, but is rather one that invites you to slowly observe its seemingly by-the-numbers premise of fighting and power ups. From there, it draws you in by portraying each character’s struggle and a unique sense of stasis that seems to permeate its world and its story, making its introspective qualities feel that much more as if they’re coming from a place that ignores time and space.

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The Fujoshi Files 151: Sennokimi

Name: Sennokimi
Alias: N/A
Relationship Status: N/A
Origin: Moehime

Information:
Hailing from the Heian Period, Sennokimi is a part of the inner circle of Chuuguu, the Empress of Japan. Together, she and the others read literature from throughout the land about male-male relationships.

Fujoshi Level:
Nothing is known about the extent of Sennokimi’s fujoshi inclinations, though being a member of Chuuguu’s inner circle means she is at least considered very appreciative of it.