Some months ago, I wrote a quick review of an interesting new manga, Rokudou no Onna-tachi. Now, I’m back with a follow-up, looking at the direction this odd series (where all the girls are angry delinquents!) has gone, and my latest impressions. Check it out on Apartment 507!
When I was a kid, I was fascinated by the human immune system. Just the idea of the body’s natural defense system warding off and destroying invaders was enough to fill pages of drawing books. I even imagined a video game where the player controlled cartoon white blood cells to fight disease! This is exactly why the manga Cells at Work feels like my childhood dream come true.
Cells at Work tells the story of the human body through its cells, personified into more typical-looking humanoid manga characters. From a hardworking red blood cell delivering nutrients to a stoic but diligent white blood cell fending off harmful bacteria, each representative cell is so entertaining to see that you almost don’t realize you’re learning.
While some series based on anthropomorphic characters prefer to keep their reality-based facts as subtext for character interaction, and others are essentially illustrated textbooks, Cells at Work strikes a more even balance. Each chapter involves the body having to deal with some crisis, such as allergies, the flu, and even cancer cells. The manga goes through the varied ways by which the immune system handles these threats, giving the cells highly entertaining personalities that encapsulate well their roles in defense. Platelets are adorable little children who act as construction workers. Killer T Cell is a lymphocyte with an appetite for destruction, and many of his fights are incredibly bloody (pun intended).
As long as there’s no worry about depictions of violence, I think this would be the perfect reading for a classroom biology class. Along the way, narration boxes explain their actual function in the body, with the actions of the characters making the information easier to remember.
I love this comic. The fact that it combines two of my favorite things ever (the immune system and manga) would be enough, but it’s also just very well written and drawn. The series is currently out in English both in print and digitally from Kodansha Comics, and I highly recommend it.
This month is AnimeNext! I missed last year’s move to Atlantic City, but I’ll be attending this time around. I have at least one panel I’ll be on at the con, but the schedule’s not up yet so I can’t say when. I’ll be making a post to Ogiue Maniax once the schedule is out.
As for my Patreon sponsors for June 2017…
General:
Johnny Trovato
Ko Ransom
Alex
Diogo Prado
Viga
Yoshitake Rika fans:
Elliot Page
Hato Kenjirou fans:
Elizabeth
Yajima Mirei fans:
Machi-Kurada
One of the personal running jokes of this blog for me is the lack of a new entry for Gattai Girls. I have no real excuses, except that it’s been slow going watching the series I plan on writing about next. I really hope I can get it done in the next month, and might even devote most of my free time to it.
Speaking of shows about female robot pilots, I was recently reminded of Stellvia of the Universe after finding out that opening singer angela is going to be at Anime Expo. Most likely, that’ll be the next next entry whenever I get around to it.
I might sound like a broken record player, but I can’t believe the next anime season is creeping ever closer. It feels like only yesterday when I was watching out for the spring season.
Genshiken is an influential manga about otaku, as well as my favorite manga ever and the inspiration for this blog, but it’s been many years since I’ve read the series. I intend to re-read Genshiken with the benefit of hindsight and see how much, if at all, my thoughts on the manga have changed.
Note that, unlike my chapter reviews for the second series, Genshiken Nidaime, I’m going to be looking at this volume by volume. I’ll be using the English release of Genshiken as well, for my own convenience. Also, I will be spoiling the entirety of Genshiken, both the first series and the sequel, so be warned.
Volume 3 Summary
Love begins to claw its way into the awkward otaku world of Genshiken. Tanaka shows Ohno the wondrous world of Gundam models. Madarame finds himself alone with Kasukabe Saki in the clubroom, and the situation is too much for his poor nerd heart to handle. Keiko tries to put the moves on Kohsaka by trying to understand the otaku mind. Sasahara gets his first computer and his first private dating sim “experience”…
But trouble is on the horizon, as Saki accidentally sets a pile of old Genshiken garbage on fire. The volume ends with a lot of burnt paper and a frantic Saki.
Love, not Lust?
The “Madarame alone with Kasukabe” scene is, in my opinion, the most significant part of Volume 3. Madarame trying to use his dating sim knowledge IRL is of course quite humorous, but in hindsight, the repercussions of this moment are tremendous. It is essentially when Genshiken as a series began to transition its characters out of the cocoon of their otaku worlds. As we know from later volumes, they never stop being otaku, but this is where the chinks in Madarame’s armor begin to show.
When Madarame finally confesses to Saki in Nidaime, Madarame considers this the point when he first fell in love with her. Looking at the chapter, the symbolism is right there: he forgets his bag full of doujinshi, an item which he’d have treasured above all else. In that moment, 3D overwhelms 2D, and not even Madarame himself fully realizes it until much later in the series.
This first attraction on the part of Madarame is not based purely on the physical aspects of Saki. It wouldn’t make him nearly as nervous otherwise. In the same volume, when Ohno tries to get her to wear a cat ear-adorned frilly maid headband, the guys in the club are quick to fantasize about a cat-maid Saki slowly becoming more subservient. In the previous volume, more than one of the guys intends to use Saki as masturbation material. And when Ohno falls in the water at the beach and ends up showing her polka dot swimsuit, the guys are clearly aroused. With Madarame and Saki, it hits him deeper than where his desires typically lie.
The Impenetrable World of Otaku
Aside from the ratio of boys to girls, one of the major differences between the first Genshiken and Nidaime that really stands out to me is just how much the former tries to introduce the world of the otaku. There’s a chapter about building Gundam models, there’s another about buying a computer, and the use of “normal” folks like Keiko and Saki positions the manga as easing laymen in. At the same time, there’s something about the portrayal of otaku that renders their conversations as opaque, and it’s not just the knowledge itself that creates this sensation. As someone familiar with most of what the characters are talking about, the way they present information just sounds very exclusive, as if it were a kind of defense mechanism. When the girls of Nidaime chat about their favorite pairings, the space they create through conversation somehow feels more accessible.
Turning Points
While this volume features what is arguably the most important moment for Madarame in Genshiken (especially the first series), it’s also of great significance to Saki. Her panicking over accidentally starting that fire is the first time Saki comes across as vulnerable. While she’s usually able to handle everything, this makes it clearer that she’s invincible when it comes to social situations but not physical dangers. While her full transformation into a member of Genshiken (not just in letter but in spirit too) comes in Volume 4, this is the pivot, the point of evolution.
Keiko also begins the transition here, as she slowly begins to understand the otaku mind. This comes out full force in Nidaime when she tries to seduce Madarame, but by then it’s tempered by a slightly more forethought. This is only the beginning of the beginning, though. Her actual key moment, in my opinion, comes when she stops calling Sasahara “monkey.”
Ohno is still extremely shy at this point, and it reminds me that she almost becomes a completely different character as the series progreses. The change is to some extent gradual, but if I recally correctly, the actual moment that triggers her more drastic metamorphosis into open, motherly figure is when Ogiue is introduced as an antagonistic force of sorts. Naturally, I’m looking forward to that next volume!
Doujin Fighting Games
This volume’s Mebaetame (the Genshiken club doujinshi magazine) is a review of the various characters in a fictitious fighting game based on everyone’s favorite series, Kujibiki Unbalance. The portrayal of this game is a real throwback to the days when doujin fighters were all the rage. Nowadays, the qualities that defined doujin fighting games—long combos, air dashes, anime aesthetic, etc.—have all become features of official, professionally produced games. BlazBlue, Arcana Heart, Dengeki Bunko Fighting Climax,Aqua Pazza, and of course Melty Blood (which began as a doujin game before transitioning into something found in arcades and played in tournaments) are all of this lineage.
The Genshiken members talk about how the game is more faithful to the characters than trying to be a balanced (or good) fighting game. Personally speaking, it’s what one wants out of a doujin game: a love of the series takes priority over trying to be, to use a more recent term, “eSports now.” It reminds me of a doujin fighter I really enjoyed back in the day called Magical Chaser. It was themed around magical girls!
The English translations for these Mebaetame entries are rather awkward, and suggest someone who is unfamiliar with fighting games in general. I say this from the perspective of having many more online resources, as well as a long history interacting with fighting game enthusiasts, so I understand that it’s simply not easy trying to adapt that lingo. If you know fighting games at all, you’d probably have a fair idea as to what the characters are trying to say.
Final Random Thoughts
Two little details in this volume really date the series. The first is when the club is giving Sasahara advice on buying a new computer. The second is when Madarame talks about watching the episode of Kujibiki Unbalance he recorded.
As the other members guide Sasahaa, they talk about how 200gb is needlessly large for a hard drive—a sentiment that predictably would garner laughs today. Madarame also talks about how the US is obsessed with big hard drives, and to my American perspective I don’t quite understand what the big deal is. It’s not excessive if you use up all the space!
Later, when Madarame suggests they watch Kujibiki Unbalance again, he pulls out a VHS tape. I always wondered at what point I would see video cassettes as artifacts. I guess now’s the time…
Name: Toda (トダ) Alias: N/A Relationship Status: N/A Origin: Happy Fujoshi: Afro Sensei to Toda
Information: A student of Afro Sensei, Toda torments her teacher by both making fun of him and involving him in BL fanart on whiteboards and other classroom items. She also adapts all of her projects to be otaku-oriented, such as turning a still life into a painting of Char Aznable.
Fujoshi Level: Her fujoshi habits are pervasive, much to the chagrin of Afro Sensei.
The first Genshiken manga is getting a new edition in Japan. Called Genshiken “Shinsouban” (“New Edition”), this new version will be five omnibus-sized volumes in total (as opposed to nine volumes in the original release), and will be printed on larger, A5-size paper. The volumes will also feature brand new covers, as seen above.
The first volume goes on sale May 23rd. As to whether or not I’ll be getting it, the answer is “probably.” I am a sucker for new covers, and the only thing preventing me from owning the anime version five times over was cost. It’ll also hinge on whether or not there are any store-exclusives like with the Genshiken Nidaime releases. No word yet on what, if any, special image cards will be included.
May’s always been my favorite Guilty Gear character. 6p is Life.
While they might not be able to shoot people out of cannons, my Patreon supporters are just as powerful. Thanks to the following!
General:
Johnny Trovato
Ko Ransom
Alex
Diogo Prado
Viga
Yoshitake Rika fans:
Elliot Page
Hato Kenjirou fans:
Elizabeth
Yajima Mirei fans:
Machi-Kurada
I found April to be a fine time for Ogiue Maniax just because there were so many fine shows coming to an end. Personally, I’ve also been reading a lot of manga I had neglected for a while, and I’m hoping to write my thoughts on them either here or on Apartment 507. Do you have a favorite show thus far? I’d be interested to know.
Starting this month, I’ve decided to change up how I do these posts. Instead of listing almost every post I’ve written over the past month, I’m going to give my three favorites plus any sponsored posts from patrons.
Yamato vs. 999 and the Makeup of a Journey This time, I was requested to write about “anime that take you on a journey.” I used that opportunity to analyze what it means for a series to portray a “journey” in the first place.
As always, if you want to not only request a topic for Ogiue Maniax but make me write it as well, you can check out the highest tier on my Patreon.
The month of May will feature the next entry in my Genshiken re-read series, so look out for that! Also, watch out for giant whales.
Name: Kankiri (かんきり) Alias: Kan-san (かんさん) Relationship Status: Dating Origin: Happy Fujoshi: Otaku no Onee-san
Kankiri is a university student who tries her hardest to hide her identity as a female otaku. However, it turns out to be futile as almost everyone she meets either is an otaku themselves or is familiar enough with otaku and fujoshi to recognize the signs of one.
She first got into BL because of the anime Mashin Eiyuuden Wataru. Prior to that, she started becoming an otaku in elementary school, and by middle school discovered that she has a thing for age gaps. Kankiri is also critical of impossible shirts on women in anime and manga, comparing them to pants that cling to a man’s erection at all times.
Fujoshi Level: Kankiri believes couplings and reverse couplings are fine, which puts her at odds with other fujoshi.
Did you know that Kinomoto Sakura’s birthday is April 1st?
Upon learning this, I realized that major spoilers for Watanuki in XXXHolic were staring me right in the face all along (his name means “April 1st”).
Do any of my Patreon supporters have an April birthday? Whether they do or not, I’m still just as grateful for their support:
The runaway hit of the last season was definitely Kemono Friends. It was such a big deal I had to write about it twice… sort of.
I also got back on track on my chapter reviews of Kimi xxxru Koto Nakare. The series looks like it got delayed for a little while, but I hope it’s coming back. I really do think it’s an excellent series.
Lastly, it was a close call, but I wrote my thoughts on March Comes in like a Lion. I knew I’d like the show, but I’m even more impressed with how well the show makes its protagonist Rei relatable.
April means the end of the winter anime season and the start of some new shows. That means you’re likely going to see a bunch more reviews for anime that concluded this past season. Early on, I saw quite a few people online expressing their opinions that the winter was something of a disappointment. While this has turned around somewhat, thanks to the rising popularity of shows such as Kobayashi’s Dragon Maid and Kemono Friends, I feel like that idea still persists.
As for new shows, I’m looking forward to Love Rice a show about rice-themed idols. It’s as if Hanayo was allowed to make her own anime.
Information: This fujoshi participates in a futsal game with other anime fans, some of which are cosplayers. Nothing else is known (because the artist actually forgot to make a manga about fujoshi despite the book being a fujoshi character anthology).
Fujoshi Level: Other than that she is a fujoshi, there is no other information.