19:00 News: Ogiue Maniax Status Update for May 2018

I’ll be heading to Tokyo this month to enjoy myself, nerd it out, and eat everything in sight. My last trip was in 2016, so let’s see how things have changed!

Thanks once again to my sponsors on Patreon and Ko-fi. Thanks to the following!

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

Because I’ll be spending a couple weeks in Japan, my post schedule is going to be slightly sparser than usual. Ideally, I’ll be coming back with plenty of material to write about, so hopefully it’ll all even out.

Here are my favorite posts from April:

Approaching “Isle of Dogs” as an Asian-American Anime Fan

My thoughts surrounding the controversy over Wes Anderson’s film.

Love Live! and the Four Tendencies

A fun thought exercise as to how the “four tendencies” concept by Gretchen Rubin map onto the girls of μ’s.

Sakuga is to Anime as Workrate is to Pro Wrestling

A comparison between two hardcore topics fun two hardcore fanbases.

Return to Genshiken

Volume 8, the climax! Only one volume left…

Hashikko Ensemble

Chapter 3 isn’t super big on the music, but it’s fun.

Patreon-Sponsored

More Like “We-Katsu!”: Aikatsu Friends!

Initial thoughts on the newest Aikatsu! anime.

Closing

I’ll be visiting Tsukiji, the famous fish market in Tokyo, which happens to be shutting down this year in October for the 2020 Tokyo Olympics. I’m genuinely glad I get to see it once before it’s moved to a new location.

I plan to eat all the sea urchIn…

More Like “We-katsu!”: Aikatsu Friends!

Aikatsu Friends! is the second reboot in the popular Aikatsu! franchise, and based on early impressions, it’s trying to change the formula in a number of ways. While the basic premise is largely the same as in previous iterations—girl goes to a special idol school and aims to become a great idol through the power of friendship, effort, and merchandisable cards—I feel a strong desire from Aikatsu Friends! to differentiate itself from its predecessors.

Aikatsu Friends stars Yuuki Aine—though, perhaps more accurately, it could be said to star “Yuuki Aine’s friendship.” That’s because, as one might expect, the new series is all about bonds on a much greater level than Aikatsu! and Aikatsu Stars! Where those anime would display friendship, ultimately the idols have very strong auras of individuality even as they form idol units. With Aikatsu Friends!, the very premise of being an idol is tied to duos because the default groups are performer pairings called “Friends.” Moreover, even the Aikatsu! tradition of the main heroine standing in front of a show title card and introducing the series has changed slightly, as seen above. Now, both Aine and her idol partner Minato Mio are shown speaking together.

Aine herself reflects the “us” mentality of Aikatsu Friends! in interesting ways. What stands out to me most about her is that her goal isn’t directly idol-related. Every previous protagonist has had “being an idol” as their driving force, whether it’s just wanting to try it out or looking up to another and aspiring to be like them. Aine’s dream, however, is to make a million friends, and becoming an idol is presented as a means to that end. Provided we view fans in a non-cynical light, being an idol can be a rather efficient way to reach that high a number. And while there’s always a chance that Aine’s goal will shift as she learns to love being an idol more and more, the fact that she’s presented this way initially again puts emphasis on idols in pairs over idols as individuals.

Is it friendship, teamwork, or that much more? Ultimately, Aikatsu! is a children’s franchise, but I suspect this series is going to be very popular with yuri fans even compared to older Aikatsu! anime. It’s potentially a little too on the nose, but the explicit focus on pairings—especially girl-girl pairings—seems like it’d be catnip to that fanbase. When Kamishiro Karen and Mirai Asuka, the top “Friends” group known as “Love Me Tear,” are shown being 100% in sync with each other in terms of movement and even seemingly finishing each other’s sentences, I have to give a second look.

One last thing I noticed is that Aikatsu Friends! has done a really good job of showing the difference between a fledgling pair like Aine and Mio and Love Me Tear. From their idol fashion to just the behavior described in the previous paragraph, there’s just a stark contrast between beginners and veterans. It presents a clear point for Aine and Mio to aim for, and it has me interested in where they and their friendship will go.

This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to support Ogiue Maniax, check out my Patreon.

One Step Off: Ogiue Maniax Status Update for April 2018

It’s time once again to look back on a month of blogging, and to give my gratitude to my supporters on Patreon and from Ko-fi. Thanks to the following!

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

I have to apologize this month, as I was supposed to have written and posted my re-read review of Genshiken volume 8 in March. Unfortunately, I came down with a bad cold towards the second half of the month, and rather than try to force it out I decided to delay it to this month. It’s actually mostly finished and requires largely final touches. Because of this, the final re-read for Volume 9 will be delayed to June.

You might have noticed that I avoided posting this past Sunday. As some might surmise, it was to avoid the chaos that is April Fool’s. I didn’t have any sort of chicanery at the ready, so I didn’t want anything I published to seem disingenuous. I do kind of miss making April Fool’s gags, though, so maybe next year.

On another related note, I’m currently trying to figure out if I should switch to a lighter posting schedule, given my real-life work schedule and my relative dissatisfaction with the quality of my writing as of late. I’ve always valued my consistency and my willingness to (more often than not) just let pieces go rather than sit on them forever. However, recently, I’ve felt that many of my blog posts don’t have the amount of spark, inspiration, and insight that I prefer. Fewer posts per week (i.e. one or two instead of two or three) makes sense on the surface, but I’m worried that having so much wiggle room could make me slack off.

The other concern is my Patreon. I want to make sure there’s enough content to keep justifying it, and I have to wonder if one to two weekly posts is actually enough. If you have any thoughts on either of these matters, feel free to leave a comment. I’d love to hear it.

It’s not really doom or gloom; it’s a desire to not stagnate. In any case, here are my favorite posts from March:

 

Kio Shimoku and Genshiken Trivia Courtesy of “Mou, Shimasen Kara”

Following Chapter 1 of Hashikko Ensemble was a special interview with the man Kio himself. There’s a lot to learn from it!

A Look at Precure Popularity

Thoughts and musings on the varying popularity of Precure and its characters throughout the years. Spoilers: Cure Marine is amazing, Heartcatch Precure! is the best. No, really.

Defying Assumptions. Fujoshi-style: Kiss Him, Not Me

My final review of a really good fujoshi-themed manga.

Hashikko Ensemble

Chapter 2 of Kio Shimoku’s new music manga. It’s filled with potential.

Patreon-Sponsored

Aikatsu! and Idol Franchise “Experiences”

Aikatsu! feels rather unique to me, and I try to explore why.

Also, while I didn’t quite consider them my favorite posts for the month, I did review quite a bit from the New York International Children’s Film Festival. Check the NYICFF tag out! I might get around to more of them this month!

Closing

Can Ogiue Maniax make the impact I desire? What shows of the Spring 2018 anime season will get reviewed on the blog? Find out…some time!

Aikatsu! and Idol Franchise “Experiences”

As Aikatsu Friends! inches ever closer, I find myself thinking about the longevity of Aikatsu! as a franchise. By this October, it’ll be a whopping six years old—a lifetime when it comes to children’s anime. Where other similar series have tried to compete, few have managed to hang on as Aikatsu! has. One of its closest competitors, Pretty Rhythm, eventually pivoted towards the male-idol-centric King of Prism series. Either by outlasting or outmaneuvering other idol series, Aikatsu! feels as if it’s conquered its own niche—though the exact nature of that niche is what I’m trying to figure out.

There are, of course, key differences between Aikatsu! and other idol character franchises. Series like King of Prism and Idolish 7 utilize male idols in a desire to capture a different market. Love Live! and The iDOLM@STER feel like they skew older. Macross Delta and Symphogear have idols as thematic flourishes as part of a greater science-fiction story. They cover various demographics, as well as various degrees of idol presence. Yet I feel there’s another element of difference that isn’t accounted for, as if Aikatsu! and Love Live! occupy different compartments of mental space, at least personally.

While this is only a tentative thought exercise for the sake of categorization, if I had to describe that difference it would be as the following: With Love Live! or The iDOLM@STER, I’m most interested in how the idols will react, but with Aikatsu! I’m most interested in the actions they’ll take. The way I phrased it makes it seem as if it’s a contrast between more passive characters and more active ones, but that’s not quite right. Instead, it’s more that the girls of Love Live! seem to draw their appeal from the way they behave and influence each other, while the girls in Aikatsu! feel as if they influence the environment around them.

Perhaps the reason I see Aikatsu! different is because of the fans and how they express their love for the series on social media compared to other idol anime lovers. Other series appear to celebrate cuteness and style. Fans of Aikatsu! revel in an aura of power and excitement. At the heart of this fan output remains the indelible images of Ichigo, that very first Aikatsu! heroine, as she climbs those cliffs and wields that axe. It’s as if Ichigo and her successors reshape and navigate the land while other idols move through it.

This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to support Ogiue Maniax, check out my Patreon.

Movie Madness: Ogiue Maniax Status Update for March 2018

Is it possible to see too many movies in a single month? It looks like I’ll be testing that out. Not only is it the start of the 2018 New York International Children’s Film Festival, but we’ve got the recently released Black Panther along with Pacific Rim: Uprising, Isle of Dogs, and A Wrinkle in Time. I’m a bit concerned about the sheer quantity overwhelming my ability to engage with each movie, but we’ll see how it pans out.

As a general rule, disengage before you start to feel yourself burning out. This applies to not just anime or entertainment, but even work. Managing your health mentally, emotionally, and physically to the best of your abilities!

In other news, I’ve started a Ko-fi page for Ogiue Maniax. It’s basically an online tip jar, ideal for those who want to support Ogiue Maniax now and then, but either won’t or can’t commit to a Patreon sponsorship.

So from now on, my monthly list of supporters will include both those from Patreon and from Ko-fi.

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

MagiGold

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

My favorite posts from February:

“I Go High, You Go Low”: Hashikko Ensemble

Kio Shimoku’s new manga! Expect to see this every month for the foreseeable future.

Join the Bakery: Kira Kira Precure a la Mode

Another Precure series concludes. How does this one stack up to its predecessors?

The Legacy of a Knight. Mazinger Z: Infinity

The 2018 sequel/revival of history’s most important super robot. A must-see for giant robot fans.

 

Patreon-Sponsored

The Unreality of Virtual Youtubers

Thoughts on the success spawned by Kizuna A.I. and those who followed her.

Closing

Watch A Place Further than the Universe. It’s not just “girls doing something,” it’s “girls getting something done.”

The Unreality of Virtual Youtubers

If you haven’t heard of virtual youtubers, they’re a recent phenomenon that might be the ultimate intersection between anime fandom’s love of cute girls and the ever-rising prominence and allure of youtuber as identity/occupation in Japan. Virtual youtubers are quite similar to regular old youtubers in that they’re online video hosts who use charismatic and often energetic performances to entertain fans, but their difference is most easily understood by watching:

While a number of the virtual youtubers out there play up the idea that they’re robots, AI, or some kind of existence outside of normal reality, one thing I find noteworthy is that they don’t have quite the same sense of appeal through artificiality as a Vocaloid. Hatsune Miku and Megurine Luka don’t sound like anything like a normal human being, but that is precisely what makes them memorable.

With virtual youtubers, there’s still a very human component behind the voice and video filters that you can feel come through to varying degrees; at the very least, there’s a sense of human-esque imperfection conveyed, as opposed to the uncanny valley of Vocaloids. Kizuna AI has a very smug, almost Yazawa Nico-like attitude that can come back to bite her in the ass. Kaguya Luna sounds like she’s always on edge, and the fact that she sounds like she’s being recorded in a garage hints at the reality behind her. Ojisan’s youtuber persona is a cute, small fox girl, but he doesn’t even try to hide his identity as an older man.

The conveying of “humanity” even comes across in small, subtle elements. You’ll see Kizuna AI videos featuring lots of clear cuts—a common style for youtubers, especially for the more bombastic types. At the same time, she constantly has this windswept appearance that doesn’t make sense (see her ribbon fluttering constantly!), but it makes her appear more active and lively.

Perhaps the biggest thing about the virtual youtuber concept is that it’s simply not meant to cater to the same audience as idols, virtual or otherwise. They can be good singers, but they don’t have to be. They convey a sense of closeness, but they inevitably keep a greater distance because the performative aspect of the virtual youtuber is more obvious. Toeing the line between natural and unnatural is part of why anime characters in general capture so much attention, and virtual youtubers also take advantage of this.

This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to support Ogiue Maniax, check out my Patreon.

Fan Fan Fine: Ogiue Maniax Status Update for February 2018

It’s February, also known in these parts as “new Precure time!” Satou Junichi (Ojamajo Doremi, Sailor Moon, Princess Tutu) helming the new Hugtto Precure! means I’m eagerly anticipating it, though I’m trying not to get my hopes too high up. As much as I love his shows, he’s not infallible or anything.

Whether you’re celebrating Valentine’s Day, the Lunar New Year, or some other holiday, I’d like to thank the following Patreon sponsors for their support.

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Viga

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

My favorite posts from January:

Down-Home Food Therapy: Atari no Kitchen!

A food manga I’ve been enjoying for a quite a while, I finally got around to writing about it!

A Strong Foundation: How the Japanese Smash 4 Tournament Format Helps the Community

A detailed look at what I believe are the underlying reasons behind Japan’s noted character diversity at high levels of competitive play.

“We’re Just Like You!”: The Empathy Scam of the Alt-Right

A post on a more serious topic: how the alt-right’s use of internet memes and subculture might act as false masks to lure in frustrated young men.

Return to Genshiken

Part 7 of my Genshiken re-read delves into the depictions of love and lust in my favorite manga.

Patreon-Sponsored

The Past and Future of Anime Blogging

I wax nostalgic about anime blogging but also how it’s positioned versus other mediums.

Closing

I’m high off of watching EVO Japan 2018 and seeing both Asuka and Shinsuke Nakamura win the Royal Rumbles. I’m also hyped for the new Kio Shimoku manga coming out this month.

May your February be as inspired.

The Past and Future of Anime Blogging

In many ways, anime blogging is a living relic. Born in the age when “Web 2.0” was a newly coined term and blogging in general was a young and exciting differentiation from the era of fan shrines and webrings, the anime blog was a way for writer-fans to establish an identity outside of enclaves such as forums and livejournal groups. Like the anime websites of old (and even the IRL anime clubs before that time), they filled a desire for information, appreciation, and criticism of anime and manga.

I think there’s a charm to the written word that allows it to endure and keeps it falling out of true relevance, and this applies to anime blogging. Certain ideas are better conveyed through writing (especially extremely complex ones that require a lot of small detail to fully explain), and certain people (myself included) are more comfortable with text than speech or visual performance. Writing will never truly go away because it’s just capable of so much with so little. Nevertheless, it is true that the amount of anime blogs have declined over the years.

I don’t have a falsely inflated idea as to the supposed “importance” of anime blogs in year past—it’s always been a niche. But where once an “Aniblog Tourney” existed not just as a popularity contest but as a sign of a loose “aniblogosphere,” the increasing prominence of social media platforms like Twitter, Tumblr, Facebook, and even something like Anime Amino have moved discussion back into more isolated communities. I think, on some level, “aniblogging” feels less like a distinct position than it used to. Perhaps it’s because so many anime fans these days are omnivorous consumers of pop culture that the “fan” is more important than the “anime,” but I think the rise and dominance of social media networks and alternative formats like YouTube also makes it less enticing for younger, enterprising fans to enter the field. In a “field” with a high turnover rate due to burnout and just the passage of time, not having new warriors to pick up the mantle means a gradual decline.

The anime blogs of today, whether they’re young and fresh or old and crusty, are contending with new ways to get one’s thoughts and opinions out to the world—alternatives that can be more attractive to would-be bloggers. In particular, the minor stardom that can come with YouTube can also mean potential income, perhaps even enough to earn a living. Anime fandom isn’t the only realm affected by this, but because anime is more niche than, say, gaming, it also means a smaller pie to share overall. Only a select few vloggers can get six-digit views, but it’s a lot likelier than accruing those numbers through blogging. For even the best and most charismatic writers, blogs are at best a partial or supplementary income. In other words, it’s never been easy to sustain a living just from anime blogging, for better or worse. At the same time, it’s also never been easier to actually make money from blogging thanks to platforms like Patreon. While I’m not exactly filling my coffers to the brim, my own Patreon has been a great boon.

All it really takes to write an anime blog is a genuine passion for anime and manga, as well as a desire to write one’s thoughts. It’s profoundly simple, which is why, even as anime blogging as a “thing” has waned, I think you still see the occasional challenger take on the endeavor. Writing is timeless. I don’t carry any illusions that it’s the path to fame and fortune, but it’s a space that remains open and welcome. If we want to rebuild the aniblogosphere, however, it’ll take a restored sense of “community,” no matter how nebulous and disparate it might be.

Once upon a time, anime bloggers debated the merits of “episode blogging” vs. “editorial blogging.” In hindsight, it seems so quaint.

This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to support Ogiue Maniax, check out my Patreon.

The New Year Isn’t Just For Show!: Ogiue Maniax Status Update for January 2018

Happy new year to all! Amidst a topsy-turvy year, what have been your favorite shows? 2017 might go down as a surprisingly robust year for anime, and I hope to see an industry that allows creativity to rise to the top. After all, the better anime is, the more there is for this blog to talk about.

Going into 2018, I’d like to thank my Patreon sponsors, especially the following.

General:

Johnny Trovato

Ko Ransom

Alex

Diogo Prado

Viga

Sue Hopkins fans:

Serxeid

Hato Kenjirou fans:

Elizabeth

Yajima Mirei fans:

Machi-Kurada

New Year’s is of course the time for resolutions, and while I tend not to make them, I want to hold myself accountable this year.

As I’m interested in improving my language skills, most of my resolutions are focused in that area. I want to have true Japanese literacy. I’m fairly fluent overall, but I’m still not technically “reading newspapers without help” proficient—which is how Japanese literacy is officially defined.

I also want to improve my Cantonese, learn Mandarin Chinese, and/or reach a greater level of Dutch. I’ve been practicing the last one in the Duolingo app for a while now, to try and make up for my lack of true fluency when I lived in the Netherlands. My goal is to be able to read Dutch comics. Ik wil lezen Nederlandse strips.

I know they say not to try and learn more than one language at a time, but I just want to do everything, I guess.

My favorite posts from December:

Gattai Girls 7: “Shingu: Secret of the Stellar Wars” and Moriyama Nayuta [Anime Secret Santa]

A combination Gattai Girls entry and Secret Santa review! Shingu is really good; you should watch it.

Spotted Flower and the Role of the “What-If”

This story about an alternate Genshiken took on some crazy twists recently. But how does its proximity to Genshiken affect our perception of it?

Japanese vs. English Yu-Gi-Oh!: How the Two End Up Being Almost Different Shows

Inspired by the recent Yu-Gi-Oh! marathon on Twitch.

Patreon-Sponsored

Aikatsu Stars! Christmas 2017 Thoughts


“We wiiish you a merry Christmaaas…”

Closing

2017 was a tumultuous year for many. I hope you stay strong. I look forward to a world where reason and compassion defeat hatred and bigotry.

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Aikatsu Stars! Christmas 2017 Thoughts

I was asked to talk about the Aikatsu Stars! 2017 Christmas episode, so here I am!

Christmas isn’t the utter juggernaut of a holiday in Japan as it is in the United States, but it’s still celebrated in its own way: as a time for romance and appreciation. It’s not uncommon to see anime and manga feature Christmas stories, notably the many shoujo series where dates happen on and around December 25th. In some cases, series can be long enough Christmas episodes themselves become annual traditions, and this is the case with Aikatsu! Apparently, they even sing “We Wish You a Merry Christmas” every year:

As a Christmas-focused story, episode 87 of Aikatsu Stars! stands out to me for a few reasons. Generally, with these seasons-long children’s anime, the Christmas episodes are pretty self-contained. Maybe it’ll be about meeting Santa, or just having fun with friends. With Aikatsu Stars!, there’s a surprising amount of overall narrative progression. It’s not like they’re throwing revelations left and right, but the fact that M4 (the series’ premier male idol group) is branching off into their own solo careers is kind of a big deal. That there was some romantic development between perennial cat(-like) girl Saotome Ako and M4 member Kiri Kanata is also notable.

I only watch Aikatsu Stars! on and off, so I didn’t realize that Kizaki Rei is from New York City. As someone who just stopped by Rockefeller Center to see the giant tree right before Christmas, and as someone who kind of takes its presence for granted, I found the show’s presentation of it as this stand-out example of “Christmas around the world!” charming. If there’s one thing AIkatsu! has done right that many other series haven’t, it’s having more non-Japanese characters.

Aikatsu Stars! (and Aikatsu! in general) is that it really is in its own world when it comes to idol anime, or magical girl(ish) anime. Other series will be fun and wacky, or they might be a bit serious, but there’s rarely the almost Saved by the Bell-esque feel you find in Aikatsu! Even when the anime are literally about idols using their singing to defeat galactic empires, it lacks that particular brand of mild absurdity that permeates AIkatsu!. This is why Aikatsu Stars! is the sort of anime that could either go episodic forever or rapidly develop into an elaborate story at any moment, and both are equally welcome. Perhaps the Christmas episodes are indicative of that balance of story advancement and self-contained amusement.

This post was sponsored by Johnny Trovato. If you’re interested in submitting topics for the blog, or just like my writing and want to support Ogiue Maniax, check out my Patreon.